- Saturday 31/01 22:00 [STT] Salle Boris Vian – Maison de la Culture
- Sunday 01/02 13:00 [STT] Salle Boris Vian – Maison de la Culture
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Monday 02/02 12:00
[STT]
CGR Le Paris
- Tuesday 03/02 13:00 [STT] Salle Boris Vian – Maison de la Culture
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Wednesday 04/02 18:00
[STT]
La Jetée
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Thursday 05/02 09:30
[STT]
Salle des Possibles – Comédie de Clermont-Ferrand
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Friday 06/02 16:00
[STT]
Salle des Frères Lumière
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Saturday 07/02 20:00
[STT]
Salle Georges Conchon
Q&A with attending filmmakers and/or speakers before or after the screening
Screening subtitled in English
[STT] Screenings accessible to deaf and hard-of-hearing individuals.
The Future is Virtual
Michael Mackenzie
China, Australia
2025 Animated fiction 15'
Luca, unemployed, depressed and enraged with the world, despises the physical world and subscribes to a revolution that will disembody humanity into a pure virtual existence. During his meetings with his government case-worker, we discover behind Luca's nihilism and hopelessness is…
Première nationale
It Lives Under the Snow
Igor Smola
Azerbaijan, Singapore
2025 Fiction 16'
In a village haunted by mysterious disappearances, a group of locals attempts to uncover a dark myth about a creature beneath the snow, where fear blurs the line between reality and imagination.
Première nationale
Boundaries
Seun Yee
South Korea
2025 Animated fiction 12'
When a bus seat is overly reclined by a passenger, the journey of the passenger behind takes an unexpected path.
Première nationale
Murewa
Ché Scott-Heron Newton
United Kingdom, England
2025 Documentary 15'
In the quiet seaside town of Worthing, Marlon and Murry (Murewa) form a deep friendship, bonding over skateboarding, photography and the carefree adventures of youth. But as they grow older, their lives take different turns. Marlon leaves for university in London,…
I Want My People to Be Remembered
Hélène Giannecchini
France
2025 Experimental documentary 27'
When I meet photographer Donna Gottschalk in Vermont, she tells me she has spent her life photographing queer people from working-class backgrounds—those who go unseen, who labor and die alone. She shows me portraits, street scenes captured in the late 1960s,…
Première mondiale