{"id":231287,"date":"2026-01-13T12:37:34","date_gmt":"2026-01-13T11:37:34","guid":{"rendered":"https:\/\/www.lecourt-clermont.org\/?page_id=231287"},"modified":"2026-01-21T14:12:22","modified_gmt":"2026-01-21T13:12:22","slug":"2026-juries","status":"publish","type":"page","link":"https:\/\/www.lecourt-clermont.org\/en\/2026-juries\/","title":{"rendered":"The 2026 juries"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221;][vc_column][vc_single_image image=&#8221;231250&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1767908278316{margin-bottom: 0px !important;}&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69eb768f8c50b\" data-id=\"69eb768f8c50b\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; equal_height=&#8221;yes&#8221; rtl_reverse=&#8221;yes&#8221; css=&#8221;.vc_custom_1767892709589{margin-right: 90px !important;}&#8221;][vc_column width=&#8221;1\/12&#8243;][\/vc_column][vc_column width=&#8221;1\/6&#8243; el_class=&#8221;colonne-infos&#8221;][vc_column_text css=&#8221;.vc_custom_1767971481645{margin-bottom: 15px !important;}&#8221;]<\/p>\n<h2>Info<\/h2>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767971492744{margin-bottom: 15px !important;}&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element vc_custom_1737462683572\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element vc_custom_1735500815293\">\n<div class=\"wpb_wrapper\">\n<h3>Partners closing show<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221; el_class=&#8221;horaires&#8221;]<\/p>\n<p class=\"p1\"><strong>Thursday 5 February<\/strong><br \/>\n16:00 &#8211; 18:00<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221; el_class=&#8221;adresse&#8221;]<\/p>\n<p class=\"p1\"><strong>Boris-Vian Theater<\/strong><br \/>\nMaison de la culture (Ground floor)<br \/>\n71 bd Fran\u00e7ois-Mitterrand<br \/>\n63000 Clermont-Ferrand<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221; el_class=&#8221;info&#8221;]The awards presented during this ceremony are exclusively for prizes given by juries other than the official, student, and audience juries.[\/vc_column_text][vc_column_text css=&#8221;&#8221; el_class=&#8221;billetterie&#8221;]<\/p>\n<p class=\"p1\">Access to this ceremony is primarily reserved for professionals with accreditation, followed by the general audience.<br \/>\nPlease note that this ceremony will not be followed by any film screenings.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767971578027{margin-bottom: 15px !important;}&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element vc_custom_1737462743992\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element vc_custom_1735500923241\">\n<div class=\"wpb_wrapper\">\n<h3>Public closing show<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221; el_class=&#8221;horaires&#8221;]<\/p>\n<p class=\"p1\"><strong>Saturday 7 February<\/strong><br \/>\n[CLO 1] 18:00 &#8211; 21:00<br \/>\n[CLO 2] 21:00 &#8211; 23:00<br \/>\n[CLO 3] 22:00 &#8211; midnight<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221; el_class=&#8221;adresse&#8221;]<\/p>\n<p class=\"p1\">[CLO 1] &amp; [CLO 2]<strong><br \/>\nJean-Cocteau Theater<\/strong><br \/>\nMaison de la culture<br \/>\n71 bd Fran\u00e7ois-Mitterrand<br \/>\n63000 Clermont-Ferrand<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221; el_class=&#8221;adresse&#8221;]<\/p>\n<p class=\"p1\">[CLO 3]<strong><br \/>\n<\/strong><strong>Horizon Theater<\/strong><br \/>\nLa Com\u00e9die de Clermont-Ferrand sc\u00e8ne nationale<br \/>\n69 bd Fran\u00e7ois-Mitterrand<br \/>\n63000 Clermont-Ferrand<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221; el_class=&#8221;info&#8221;]<\/p>\n<p class=\"p1\">The [<span class=\"s1\">CLO 1]\u00a0<\/span>session is the official awards ceremony.<br \/>\nThe [<span class=\"s1\">CLO2]\u00a0<\/span>and [<span class=\"s1\">CLO 3]\u00a0<\/span>sessions are similar but not identical. [<span class=\"s1\">CLO 2]\u00a0<\/span>opens with a quick recap of the main prizes in presence of some awarded filmmakers while [<span class=\"s1\">CLO 3]\u00a0<\/span>is composed exclusively of awarded films.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221; el_class=&#8221;billetterie&#8221;]Access to these screenings is granted upon presentation of a specific ticket.[\/vc_column_text][vc_btn title=&#8221;Ticket office&#8221; shape=&#8221;square&#8221; align=&#8221;left&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fwww.lecourt-clermont.org%2Fen%2Ftools%2Fticket-office%2F&#8221; el_class=&#8221;bouton coul-3 petit&#8221;][vc_btn title=&#8221;Consult the prizes&#8221; shape=&#8221;square&#8221; align=&#8221;left&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fwww.lecourt-clermont.org%2Fen%2Fprizes%2F&#8221; el_class=&#8221;bouton coul-2 petit&#8221;]<div class=\"ult-spacer spacer-69eb768f8c5fb\" data-id=\"69eb768f8c5fb\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/12&#8243;][\/vc_column][vc_column width=&#8221;8\/12&#8243;][vc_column_text css=&#8221;&#8221; el_class=&#8221;intro&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element intro\">\n<div class=\"wpb_wrapper\">\n<div class=\"flex max-w-full flex-col flex-grow\">\n<div class=\"min-h-8 text-message flex w-full flex-col items-end gap-2 whitespace-normal break-words text-start [.text-message+&amp;]:mt-5\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"8b958953-6ccf-4b36-b18a-aa1e9c2ccfb1\" data-message-model-slug=\"gpt-4o\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\">\n<div class=\"markdown prose w-full break-words dark:prose-invert light\">\n<p>Discover all the juries of the 48th edition of the Clermont-Ferrand International Short Film Festival.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<h2>Public juries<\/h2>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69eb768f8c6a6\" data-id=\"69eb768f8c6a6\" data-height=\"15\" data-height-mobile=\"15\" data-height-tab=\"15\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>Official juries<\/h3>\n<p>[\/vc_column_text][vc_tta_accordion title_tag=&#8221;h4&#8243; active_section=&#8221;1000&#8243; collapsible_all=&#8221;true&#8221; el_class=&#8221;accordeon&#8221;][vc_tta_section title=&#8221;International Jury&#8221; tab_id=&#8221;en-inter-26&#8243;][vc_row_inner equal_height=&#8221;yes&#8221; gap=&#8221;35&#8243; css=&#8221;.vc_custom_1767893440445{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231153&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767898847667{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903173426{margin-bottom: 5px !important;}&#8221;]<\/p>\n<h5><strong>Ru\u017eica Hajdari<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767971924390{margin-bottom: 5px !important;}&#8221;]Germany[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767971935614{margin-bottom: 5px !important;}&#8221;]Actress[\/vc_column_text]<div id=\"modal-trg-txt-wrap-8000\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-8000 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8c7528-10515057\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8c7528-10515057\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8c7528-10515057 \" data-class=\"content-69eb768f8c7528-10515057\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-4462\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-4462 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Ru\u017eica Hajdari \/ Germany<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-4462 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Actress<\/h3>\n<p data-start=\"0\" data-end=\"339\">Ru\u017eica Hajdari is a German actress born in 1971 in Leverkusen, Germany. She lives and works mainly in Cologne and is represented by the agency Amaze Management. She trained at the Hochschule f\u00fcr Musik und Theater Rostock from 1994 to 1998 and is fluent in several languages, including German, Bosnian, Croatian, Serbian, and English.<\/p>\n<p data-start=\"341\" data-end=\"619\">Since the 2000s, she has appeared in numerous German and international films and television series, with roles in productions such as the feature film <em data-start=\"492\" data-end=\"506\">Je suis Karl<\/em> (2021), the TV film <em data-start=\"527\" data-end=\"537\">Gladbeck<\/em> (2016\u20132017), and the short film <em data-start=\"570\" data-end=\"589\">Kafana na Balkanu<\/em> (<em data-start=\"591\" data-end=\"615\">It\u2019s the Balkans, Baby<\/em>).<\/p>\n<p data-start=\"621\" data-end=\"992\" data-is-last-node=\"\" data-is-only-node=\"\">Her work has earned her several nominations and awards at festivals, notably the International Acting Award for her performance in <em data-start=\"752\" data-end=\"771\">Kafana na Balkanu<\/em> at the Clermont-Ferrand International Short Film Festival in 2024. Known for her on-screen versatility, she moves effortlessly between dramatic and lighter roles and continues to be an active presence in European cinema.<\/p>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Actress<\/strong><\/p>\n<ul>\n<li>2019: <strong>Il Busto della Corte<\/strong> by Antonia Uhl<\/li>\n<li>2020: <strong>Ausgeschw\u00e4rmt<\/strong> by Malin Koch<\/li>\n<li>2021: <strong>Milchzahn<\/strong> by Boris Gavrilovi\u0107<\/li>\n<li>2022: <strong>Hinterm Vorhang<\/strong> by Oskar Lekies<\/li>\n<li>2022: <strong>Liebeshauch<\/strong> by Ruth Olshan<\/li>\n<li>2023: <strong>Lange Nicht Gesehen (<em>Long Time No See) <\/em><\/strong>by Kevin Biele, International Competition &#8211; Le Court (Clermont-Ferrand) 2024<\/li>\n<li>2024: <strong>Kafana na Balkanu <\/strong><em><strong>(It\u2019s the Balkans, Baby<\/strong><\/em><em><strong>)<\/strong><\/em> by Boris Gavrilovi\u0107, International Award for Outstandin Performance &#8211; Le Court (Clermont-Ferrand) 2024 \/ Selections <em>Voyage, voyage<\/em> &amp; Opening perfomance &#8211; Le Court (Clermont-Ferrand) 2026<\/li>\n<li>2025: <strong>Wild Wild Westphalia<\/strong> by Moritz Maniera Siebert<\/li>\n<li>2025: <strong>Tata<\/strong> by Elias Stankovi\u0107<\/li>\n<li>2025: <strong>Madame Pipi<\/strong> by Galla Borowski<\/li>\n<\/ul>\n<h4>FEATURE FILMS<\/h4>\n<p><strong>Actress<\/strong><\/p>\n<ul>\n<li>2008: <strong>Vision &#8211; Aus dem Leben der Hildegard von Bingen<\/strong> by Margarethe von Trotta<\/li>\n<li>2010: <strong>Bastard<\/strong> by Carsten Unger<\/li>\n<li>2011: <strong>Traurigkeit, die Jeder Kennt<\/strong> debyAischa Butt<\/li>\n<li>2012: <strong>Zima<\/strong> by Marcus Heep<\/li>\n<li>2019: <strong>Je suis Karl<\/strong> by Christian Schwochow<\/li>\n<li>2019: <strong>Oray<\/strong> by Mehmet Akif B\u00fcy\u00fckatalay<\/li>\n<li>2020: <strong>Viva Forever<\/strong> by Sinje K\u00f6hler<\/li>\n<li>2021: <strong>Raumteiler<\/strong> by Florian Schmitz<\/li>\n<li>2022: <strong>Frisch<\/strong> by Damian John Harper<\/li>\n<li>2025\u00a0: <strong>Schmetterling<\/strong> by Biko Erk<\/li>\n<\/ul>\n<h4>TV FILMS<\/h4>\n<p><strong>Actress<\/strong><\/p>\n<ul>\n<li>2003: <strong>Ein Baby f\u00fcr dich<\/strong> by Imogen Kimmel<\/li>\n<li>2016: <strong>Toter Winkel<\/strong> by Stephan Lacant (Das Erste)<\/li>\n<li>2021: <strong>Extraklasse 2+<\/strong> by Matthias Tiefenbacher (ZDF)<\/li>\n<li>2022: <strong>Die G\u00e4nseprinzessin<\/strong> by Frank Stoye (Das Erste)<\/li>\n<li>2023: <strong>Sechs auf einen Streich &#8211; Die G\u00e4nseprinzessin<\/strong> by Frank Stoye (Das Erste)<\/li>\n<li>2023: <strong>Der Kroatien-Krimi &#8211; Die toten Frauen von Brac<\/strong> by Michael Kreindl (Das Erste)<\/li>\n<li>2024: <strong>David und Goliath &#8211; Therapie und Praxis<\/strong> by Janosch Ch\u00e1vez-Kreft (WDR)<\/li>\n<li>2025: <strong>F\u00fcr Euch<\/strong> by Milena Aboyan (SWR, WDR)<\/li>\n<\/ul>\n<h4>TV SERIES<\/h4>\n<p><strong>Actress<\/strong><\/p>\n<ul>\n<li>2009: <strong>Pastewka<\/strong> by Sascha Albrecht, Chris Geletneky and Bastian Pastewka (Sat. 1)<\/li>\n<li>2016: <strong>Gladbeck<\/strong>\u00a0by Kilian Riedho (Das Erste)<\/li>\n<li>2020: <strong>Sankt Maik<\/strong> by Wolfgang Eissler (RTL)<\/li>\n<li>2022: <strong>Im<\/strong> <strong>Schleudergang<\/strong> by Paul Harather (BR)<\/li>\n<li>2023: <strong>Pauline<\/strong> by Arabella Bartsch (Disney+)<\/li>\n<li>2023: <strong>Cassandra<\/strong> by Benjamin Gutsche (Netflix)<\/li>\n<li>2024: <strong>Soko K\u00f6ln<\/strong> by Felix Stienz (ZDF)<\/li>\n<li>2025: <strong>WaPo Bodensee<\/strong> by Philipp Eichholtz (ARD)<\/li>\n<li>2025\u00a0: <strong>Hungry<\/strong> de Sorina Gajewski (ZDFneo, ARTE)<\/li>\n<li>2025\u00a0: <strong>Husk<\/strong> de Mia Maariel Meyer et Tim Trachte (ZDF)<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_column_text css=&#8221;.vc_custom_1767899200077{margin-bottom: 0px !important;}&#8221; el_class=&#8221;rs_instagram&#8221;]<a href=\"https:\/\/www.instagram.com\/ruzicahajdari\" target=\"_blank\" rel=\"noopener\">insta<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231155&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767898866300{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903165954{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5><strong>Corina Schwingruber Ili\u0107<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767972621970{margin-bottom: 5px !important;}&#8221;]Switzerland, Serbia[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767972649762{margin-bottom: 5px !important;}&#8221;]Filmmaker, scriptwriter, editor[\/vc_column_text]<div id=\"modal-trg-txt-wrap-1987\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-1987 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8c8291-68149040\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8c8291-68149040\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8c8291-68149040 \" data-class=\"content-69eb768f8c8291-68149040\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-4412\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-4412 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Corina Schwingruber Ili\u0107 \/ Switzerland, Serbia<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-4412 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Filmmaker, scriptwriter, editor<\/h3>\n<p data-start=\"0\" data-end=\"573\">Born in 1981 in Werthenstein, Switzerland, <strong data-start=\"43\" data-end=\"71\">Corina Schwingruber Ili\u0107<\/strong> lives and works between Lucerne (Switzerland) and Belgrade (Serbia). From 2004 to 2006, she studied at the Basel School of Design and Art and at the Academy of Fine Arts in Belgrade, before continuing her studies in the video department at the Lucerne University of Applied Sciences and Arts. Since 2010, she has been working as a filmmaker, editor, and freelance lecturer. She is a co-founder of Pro Short (the Swiss Short Film Association) and a member of both the Swiss and European Film Academies.<\/p>\n<p data-start=\"575\" data-end=\"882\">Her short films <em data-start=\"591\" data-end=\"600\">Baggern<\/em> (2011) and <em data-start=\"612\" data-end=\"622\">Ins Holz<\/em> (2017) enjoyed great success on the festival circuit, while <em data-start=\"683\" data-end=\"698\">All Inclusive<\/em> (2018) was screened at over 250 festivals, including Venice, Toronto, and Sundance, and won the Golden Dove at DOK Leipzig as well as the Swiss Film Award, among many other accolades.<\/p>\n<p data-start=\"884\" data-end=\"1400\" data-is-last-node=\"\" data-is-only-node=\"\">Together with her partner Nikola Ili\u0107, she has directed several other films, including <em data-start=\"971\" data-end=\"982\">Kod \u0106o\u0161ka<\/em> (2013), <em data-start=\"991\" data-end=\"1018\">Just Another Day in Egypt<\/em> (2015), and <em data-start=\"1031\" data-end=\"1037\">Dida<\/em> (2021). Her most recent short film, <em data-start=\"1074\" data-end=\"1086\">Been There<\/em> (2023), was presented in the <em data-start=\"1116\" data-end=\"1132\">Corti d\u2019autore<\/em> section at the Locarno Film Festival, screened at numerous film festivals, and received a nomination for the 2023 European Film Award. Corina also took part in the Locarno Filmmakers Academy in 2017, the IDFA Academy in 2018, and Berlinale Talents in the 2023 cohort.<\/p>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Director, editor<\/strong><\/p>\n<ul>\n<li>2009: <strong>I Ovo je Beograd<\/strong> <strong>(And This Is Belgrade)<\/strong><\/li>\n<li>2011: <strong>Baggern<\/strong><\/li>\n<li>2013: <strong>Kod \u0106o\u0161ka <\/strong><strong>(Down on the Corner) <\/strong>(co-dir. Nikola Ili\u0107), Best Swiss Short Film &#8211; Internationale Kuzfilmtage Winterthur (Switzerland) 2013<\/li>\n<li>2015: <strong>Just Another Day in Egypt <\/strong>(co-dir. Nikola Ili\u0107)<strong><em>, <\/em><\/strong>International Competition &#8211; Le Court (Clermont-Ferrand) 2016<\/li>\n<li>2017: <strong>Ins Holz (In the Woods)<\/strong> (co-dir. Thomas Horat), International Competition &#8211; Le Court (Clermont-Ferrand) 2017<\/li>\n<li>2018: <strong>All Inclusive<\/strong>, Best Short Film &#8211; Swiss Film Awards (Switzerland) 2019 \/ Lab Competition &#8211; Le Court (Clermont-Ferrand) 2019 \/ Selections<em> Euro Visions<\/em> &#8211; Le Court (Clermont-Ferrand) 2024 \/ <em>Voyage, voyage<\/em> &#8211; Le Court (Clermont-Ferrand) 2026<\/li>\n<li>2023: <strong>Been There<\/strong>, Opening perfomance &#8211; Le Court (Clermont-Ferrand) 2026<\/li>\n<\/ul>\n<p><strong>Editor<\/strong><\/p>\n<ul>\n<li>2010: <strong>St\u00fcck f\u00fcr St\u00fcck<\/strong> by Antonia Meile<\/li>\n<li>2013: <strong>Lenas Welt<\/strong> by Muriel Kunz<\/li>\n<li>2015: <strong>Beyond<\/strong> by Antonia Meile<\/li>\n<li>2016: <strong>What Should You Become, When You&#8217;re Already Grown Up?<\/strong> by Sara St\u00e4uble<\/li>\n<li>2017: <strong>Rewind Forward<\/strong> by Justin Stoneham<\/li>\n<li>2024: <strong>Exit through the Cuckoo\u2019s Nest <\/strong>by Nikola Ili\u0107, Festivals Connexion &amp; Best Documentary Award, Lab Competition &#8211; Le Court (Clermont-Ferrand) 2025<\/li>\n<\/ul>\n<p><strong>FEATURE FILMS<\/strong><\/p>\n<p><strong>Director<\/strong><\/p>\n<ul>\n<li>2018: <strong><em>Dida<\/em><\/strong> (co-dir. Nikola Ili\u0107)<\/li>\n<\/ul>\n<p><strong>Editor<\/strong><\/p>\n<ul>\n<li>2020: <strong>Unter Einem Dach<\/strong> by Maria M\u00fcller<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231157&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767898889240{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903158463{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Bahar Pars<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767973225053{margin-bottom: 5px !important;}&#8221;]<\/p>\n<p class=\"p1\">Sweden<\/p>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767973240534{margin-bottom: 5px !important;}&#8221;]Actress, filmmaker[\/vc_column_text]<div id=\"modal-trg-txt-wrap-4193\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-4193 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8c8998-70472125\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8c8998-70472125\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8c8998-70472125 \" data-class=\"content-69eb768f8c8998-70472125\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-6289\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-6289 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Bahar Pars \/ Sweden<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-6289 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Actress, filmmaker<\/h3>\n<p data-start=\"0\" data-end=\"416\">Bahar Pars was born in Iran and immigrated to Sweden at the age of 10. After a successful career as an actress, she moved behind the camera and established herself as a strong voice in Sweden on issues of representation and social satire. Her trilogy of short films, which addresses structural issues, has traveled widely around the world and has been screened at festivals such as Sundance and Clermont-Ferrand.<\/p>\n<p data-start=\"418\" data-end=\"850\" data-is-last-node=\"\" data-is-only-node=\"\">Bahar Pars continues her work by giving a voice to the invisible, drawing on her experience of exile and dual identity, which she sees as a source of richness for her artistic perspective. She excels at creating a dialogue between Swedish and Iranian cinema, demonstrating a deep understanding of herself and the world. Through her work, Bahar Pars seeks to reveal what is too often left in the shadows and to question social norms.<\/p>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Director<\/strong><\/p>\n<ul>\n<li>2016: <strong>Ghettoswedish<\/strong><\/li>\n<li>2017: <strong>The Turk Shop<\/strong><\/li>\n<\/ul>\n<p><strong>Director, actress<\/strong><\/p>\n<ul>\n<li>2023: <strong>\u00c5snelandet (Donkeyland)<\/strong>, CANAL+ \/ CIN\u00c9+ Award, International Competition &#8211; Le Court (Clermont-Ferrand) 2023 \/ Opening selection &#8211; Le Court (Clermont-Ferrand) 2026<\/li>\n<li>2025: <strong>Nosejob<\/strong><\/li>\n<li>2025:<strong> Just Like a Boy<\/strong><\/li>\n<\/ul>\n<p><strong>Actress<\/strong><\/p>\n<ul>\n<li>2004: <strong>Flickpingis <\/strong>by Jonathan Katzeff<\/li>\n<li>2009: <strong>Beb\u00e5delse <\/strong>by\u00a0Jonas Moberg<\/li>\n<li>2010: <strong>Incident by a Bank <\/strong>by\u00a0Ruben \u00d6stlund<\/li>\n<li>2016\u00a0: <strong>Baby <\/strong>by\u00a0Lovisa Sir\u00e9n<\/li>\n<li>2018\u00a0: <strong>Ariel <\/strong>by\u00a0Linus Tunstr\u00f6m<\/li>\n<\/ul>\n<h4>FEATURE FILMS<\/h4>\n<p><strong>Actress<\/strong><\/p>\n<ul>\n<li>2006: <strong>When Darkness Falls <\/strong>by Anders Nilsson<\/li>\n<li>2009: <strong>Kn\u00e4cka <\/strong>by Ivica Zubak<\/li>\n<li>2015: <strong>A Man Called Love <\/strong>by Hannes Holm<\/li>\n<li>2018: <strong>Zon 261 <\/strong>by Fredrik Hiller<\/li>\n<li>2022: <strong>Maya Nilo (Laura) <\/strong>by Lovisa Sir\u00e9n<\/li>\n<li>2022: <strong>The YearI Started Matsurbating <\/strong>by\u00a0Erika Wasserman<\/li>\n<li>2022: <strong>The Cake Dynasty <\/strong>by Christian Lollike<\/li>\n<li>2024: <strong>Handling the Unded <\/strong>by Thea Hvistendahl<\/li>\n<\/ul>\n<h4>TV FILMS<\/h4>\n<p><strong>Actress<\/strong><\/p>\n<ul>\n<li>2009: <strong>Portofino: The Philippines<\/strong> by Matthew Allen &amp; Henrik Dahnsj\u00f6<\/li>\n<li>2023: <strong>The Conference<\/strong> by Patrik Eklund (Netflix)<\/li>\n<li>2025: <strong>A Copenhagen Love Story<\/strong> by Ditte Hansen &amp; Louise Mieritz (Netflix)<\/li>\n<\/ul>\n<h4>TV SERIES<\/h4>\n<p><strong>Actress<\/strong><\/p>\n<ul>\n<li>2008: <strong>Kungamordet <\/strong>by Kathrine Windfeld (SVT)<\/li>\n<li>2010: <strong>Les Enqu\u00eates du commissaire Winter <\/strong>by Kathrine Windfeld (SVT1, ARTE)<\/li>\n<li>2015: <strong>Le Quatri\u00e8me Homme<\/strong> by Kristian Petri (SVT, ARTE)<\/li>\n<li>2015: <strong>Arne Dahl: En midsommarnattsdr\u00f6m<\/strong> by Trygge Allister Diesen, Lisa Farzaneh &amp; Pontus Kl\u00e4nge<\/li>\n<li>2016: <strong>My Perfect Family<\/strong> de Staffan Lindberg et David Hellenius (TV4)<\/li>\n<li>2016: <strong>V\u00e5rdg\u00e5rden<\/strong> by Alexander Kantsj\u00f6, Daniel Ottosson et Gustaf Sk\u00f6deman (SVT)<\/li>\n<li>2016: <strong>G\u00e5smamman<\/strong> by Camilla Ahlgren &amp; Martin Asphaug (Kanal 5)<\/li>\n<li>2017: <strong>Syrror<\/strong> de Tord Danielsson et Lisa Farzaneh (TV4)<\/li>\n<li>2018: <strong>Conspiracy of Silence<\/strong> by Peter Arrhenius &amp; Fredrik T. Olsson<\/li>\n<li>2018: <strong>Black Lake<\/strong> by Ulf Kvensler (TV3)<\/li>\n<li>2022: <strong>Vi i Villa<\/strong> by Henry Schyffert (Kanal 5)<\/li>\n<li>2023: <strong>No Angel<\/strong> by EliSophie Andr\u00e9e (Viaplay)<\/li>\n<li>2024: <strong>T\u00e9h\u00e9ran<\/strong> by Moshe Zonder (Kan 11, Apple TV+)<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_column_text css=&#8221;.vc_custom_1767899980088{margin-bottom: 0px !important;}&#8221; el_class=&#8221;rs_instagram&#8221;]<a href=\"https:\/\/www.instagram.com\/baharpars\" target=\"_blank\" rel=\"noopener\">insta<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=&#8221;yes&#8221; gap=&#8221;35&#8243; css=&#8221;.vc_custom_1767893440445{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231159&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767899997599{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903130365{margin-bottom: 5px !important;}&#8221;]<\/p>\n<h5><strong>Ramata-Toulaye Sy<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767973639358{margin-bottom: 5px !important;}&#8221;]France, Senegal[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767973657436{margin-bottom: 5px !important;}&#8221;]Filmmaker, scriptwriter[\/vc_column_text]<div id=\"modal-trg-txt-wrap-4925\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-4925 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8c8fb3-99762346\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8c8fb3-99762346\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8c8fb3-99762346 \" data-class=\"content-69eb768f8c8fb3-99762346\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-8648\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-8648 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Ramata-Toulaye Sy \/ France, Senegal<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-8648 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Filmmaker, scriptwriter<\/h3>\n<p data-start=\"0\" data-end=\"147\">After studying performing arts at Paris Nanterre University and specializing in screenwriting at La F\u00e9mis, Ramata-Toulaye Sy graduated in 2015.<\/p>\n<p data-start=\"149\" data-end=\"454\">She initially chose to focus on feature film writing before moving into directing, gaining her first experience as a screenwriter on <em data-start=\"282\" data-end=\"289\">Sibel<\/em> by \u00c7a\u011fla Zencirci and Guillaume Giovanetti (selected at Locarno in 2018), followed by <em data-start=\"376\" data-end=\"395\">Notre-Dame du Nil<\/em> by Atiq Rahimi (selected at TIFF 2019 and Berlinale 2020).<\/p>\n<p data-start=\"456\" data-end=\"718\">In 2021, she made her directorial debut with the short film <em data-start=\"516\" data-end=\"523\">Astel<\/em>, which was selected and awarded at numerous festivals. The film was also pre-selected for the 2023 C\u00e9sar Awards and won two prizes at the 2022 Clermont-Ferrand International Short Film Festival.<\/p>\n<p data-start=\"720\" data-end=\"1095\">Two years later, the filmmaker returned with her first feature film, <em data-start=\"789\" data-end=\"804\">Banel &amp; Adama<\/em>. Shot in the Pulaar language, this Senegalese tale follows a young couple from a small village who clash with the conventions of their community. The film was directly selected for the Official Competition at the 2023 Cannes Film Festival and represented Senegal at the 2024 Academy Awards.<\/p>\n<p data-start=\"1097\" data-end=\"1262\" data-is-last-node=\"\" data-is-only-node=\"\">Currently, Ramata-Toulaye Sy is involved in the writing of three feature films while simultaneously developing her second feature, whose story will be set in France.<\/p>\n<h4>SHORT FILM<\/h4>\n<p><strong>Director, scriptwriter\u00a0<\/strong><\/p>\n<ul>\n<li>2021: <strong>Astel<\/strong>, National Special Jury Prize, SACD for Best First Live Action Short &#8211; Le Court (Clermont-Ferrand) 2022<\/li>\n<\/ul>\n<h4>FEATURE FILMS<\/h4>\n<p><strong>Director, scriptwriter\u00a0<\/strong><\/p>\n<ul>\n<li>2023: <strong>Banel &amp; Adama<\/strong><\/li>\n<\/ul>\n<p><strong>Scriptwriter <\/strong><\/p>\n<ul>\n<li>2018: <strong>Sibel<\/strong> by \u00c7a\u011fla Zencirci &amp; Guillaume Giovanetti (co-script. \u00c7a\u011fla Zencirci, Guillaume Giovanetti)<\/li>\n<li>2020: <strong>Notre-Dame du Nil<\/strong> by Atiq Rahimi (co-script. Scholastique Mukasonga, Atiq Rahimi)<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231161&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767900019051{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903145607{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5><strong>Tra\u0302\u0300n Anh Hu\u0300ng<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767900352031{margin-bottom: 5px !important;}&#8221;]France, Vietnam[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767974009979{margin-bottom: 5px !important;}&#8221;]Filmmaker, scriptwriter[\/vc_column_text]<div id=\"modal-trg-txt-wrap-8356\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-8356 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8c95e8-49002375\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8c95e8-49002375\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8c95e8-49002375 \" data-class=\"content-69eb768f8c95e8-49002375\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-9286\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-9286 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Tra\u0302\u0300n Anh Hu\u0300ng \/ France, Vietnam<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-9286 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Filmmaker, scriptwriter<\/h3>\n<p data-start=\"0\" data-end=\"379\">Tr\u1ea7n Anh H\u00f9ng is a French-Vietnamese filmmaker, born on December 23, 1962, in \u0110\u00e0 N\u1eb5ng, and living in France since 1975. He studied filmmaking at the \u00c9cole nationale sup\u00e9rieure Louis-Lumi\u00e8re in Paris in the late 1980s. From the outset, he distinguished himself through a poetic and visually striking approach to cinema, deeply exploring human emotions and the human condition.<\/p>\n<p data-start=\"381\" data-end=\"856\">His graduation short film, <em data-start=\"408\" data-end=\"440\">The Married Woman of Nam Xuong<\/em> (1989), was selected for Critics\u2019 Week at Cannes and marked the beginning of his international recognition. His first feature film, <em data-start=\"573\" data-end=\"600\">The Scent of Green Papaya<\/em> (1993), won the Cam\u00e9ra d\u2019Or and the Youth Prize at Cannes, received the C\u00e9sar Award for Best First Feature, and was nominated for the Academy Award for Best Foreign Language Film. This success propelled him onto the global cinematic stage.<\/p>\n<p data-start=\"858\" data-end=\"1187\">Tr\u1ea7n Anh H\u00f9ng confirmed his talent with <em data-start=\"898\" data-end=\"905\">Cyclo<\/em> (1995), which won the Golden Lion at the Venice Film Festival, and <em data-start=\"977\" data-end=\"1006\">The Vertical Ray of the Sun<\/em> (2000), presented at Cannes in the Un Certain Regard section. His films are often steeped in Vietnamese culture while exploring universal themes such as memory, love, and loss.<\/p>\n<p data-start=\"1189\" data-end=\"1690\" data-is-last-node=\"\" data-is-only-node=\"\">Over the years, he has continued his career with films such as <em data-start=\"1252\" data-end=\"1274\">I Come with the Rain<\/em> (2009), <em data-start=\"1283\" data-end=\"1299\">Norwegian Wood<\/em> (2010), and <em data-start=\"1312\" data-end=\"1322\">Eternity<\/em> (2016), continuing to captivate audiences with emotionally powerful narratives. His most recent film, <em data-start=\"1425\" data-end=\"1446\">The Taste of Things<\/em> (<em data-start=\"1448\" data-end=\"1478\">La Passion de Dodin Bouffant<\/em>, 2023), earned him the Best Director Award at the Cannes Film Festival and was selected to represent France at the 2024 Academy Awards, underscoring the lasting impact of his work on contemporary cinema.<\/p>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Filmmaker, scriptwriter<\/strong><\/p>\n<ul>\n<li>1989:\u00a0 <strong>The Married Woman of Nam Xuong, National Competition<\/strong> &#8211; Le Court (Clermont-Ferrand) 1989 \/ ENS Louis Lumi\u00e8re 80th Anniversary selection &#8211; Le Court (Clermont-Ferrand) 2006<\/li>\n<li>1991: <strong>La Pierre de l\u2019attente, <\/strong>National Competition &#8211; Le Court (Clermont-Ferrand) 1992 \/ Jury Grand Prix &#8211; Lille European Cinema Festival (France) 1992<\/li>\n<\/ul>\n<h4>FEATURE FILMS<\/h4>\n<p><strong>Filmmaker, scriptwriter<\/strong><\/p>\n<ul>\n<li>1993: <strong>The Scent of Green Papaya<\/strong>, Award of Youth &amp; Golden Camera &#8211; Cannes Film Festival 1993 \/ Best First Work C\u00e9sar (France) 1994<\/li>\n<li>1995: <strong>Cyclo<\/strong>, Golden Lion &amp; FIPRESCI Prize &#8211; Venice Film festival (Italy) 1995<\/li>\n<li>2000: <strong>The Vertical Ray of the Sun<\/strong><\/li>\n<li>2009: <strong>I Come with the Rain<\/strong><\/li>\n<li>2011: <strong>Norwegian Wood<\/strong>, FIPRESCI Prize &#8211; Istanbul Film Festival (Turquie) 2011<\/li>\n<li>2016 : <strong>Eternity<\/strong><\/li>\n<li>2023 : <strong>The Taste of Things<\/strong>, Best Director &#8211; Cannes Film Festival 2023<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_separator border_width=&#8221;3&#8243; css=&#8221;.vc_custom_1768816078920{margin-bottom: 15px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1768816422028{margin-bottom: 0px !important;}&#8221;]<\/p>\n<div class=\"flex flex-col text-sm pb-25\">\n<article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-696967e9-42dc-8332-b742-ad6eee639e0a-0\" data-testid=\"conversation-turn-28\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"d90eae5f-88fc-4a8e-b903-94295acbe39c\" data-message-model-slug=\"gpt-5-2\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">\n<div class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\">\n<h6 data-start=\"0\" data-end=\"85\">Tr\u1ea7n Anh H\u00f9ng will give a masterclass at IADT on Wednesday 4 February at 11:00.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<p>[\/vc_column_text][vc_btn title=&#8221;More info&#8221; css=&#8221;.vc_custom_1768816240780{margin-bottom: 10px !important;}&#8221; link=&#8221;url:https%3A%2F%2Fwww.lecourt-clermont.org%2Fen%2Fevenements%2Fsoutheast-asia-focus%2Ftran-anh-hung-masterclass%2F&#8221; el_class=&#8221;bouton coul-2 petit&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;National Jury&#8221; tab_id=&#8221;en-national-26&#8243;][vc_row_inner equal_height=&#8221;yes&#8221; gap=&#8221;35&#8243; css=&#8221;.vc_custom_1767893440445{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231127&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767892849385{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767893002462{margin-bottom: 5px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Delphine Agut<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1737449341153{margin-bottom: 5px !important;}&#8221;]France[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767974567731{margin-bottom: 5px !important;}&#8221;]Scriptwriter[\/vc_column_text]<div id=\"modal-trg-txt-wrap-8747\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-8747 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8c9bf2-41469406\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8c9bf2-41469406\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8c9bf2-41469406 \" data-class=\"content-69eb768f8c9bf2-41469406\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-5093\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-5093 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Delphine Agut \/ France<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-5093 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Scriptwriter<\/h3>\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"e1b14ad0-51ac-43f4-a48c-fff5c6027e0e\" data-message-model-slug=\"gpt-5-2\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">\n<div class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\">\n<p data-start=\"0\" data-end=\"485\">After completing literary preparatory classes, Delphine Agut studied philosophy and film at the Sorbonne. She began writing short films while working as a programmer for international film festivals. She co-wrote <em data-start=\"217\" data-end=\"234\">La Vie au ranch<\/em> by Sophie Letourneur, presented at Cannes in 2011, followed by <em data-start=\"298\" data-end=\"315\">Apr\u00e8s la guerre<\/em> by Annarita Zambrano. This screenplay received the Jury Prize at the <em data-start=\"389\" data-end=\"407\">Prix du Sc\u00e9nario<\/em> in 2016 and was selected for Cannes (<em data-start=\"445\" data-end=\"464\">Un Certain Regard<\/em>) the following year.<\/p>\n<p data-start=\"487\" data-end=\"942\" data-is-last-node=\"\" data-is-only-node=\"\">She also works as a screenwriter for television (<em data-start=\"536\" data-end=\"549\">SKAM France<\/em>, <em data-start=\"551\" data-end=\"567\">Un m\u00e8tre vingt<\/em>, <em data-start=\"569\" data-end=\"588\">Nos vies en l\u2019air<\/em>, <em data-start=\"590\" data-end=\"601\">Le Signal<\/em>, etc.), while developing feature film projects. She co-wrote <em data-start=\"663\" data-end=\"680\">Inshallah a Son<\/em> by Amjad Al Rasheed, selected for the Critics\u2019 Week in 2023, as well as <em data-start=\"757\" data-end=\"782\">The Story of Souleymane<\/em> by Boris Lojkine, which won the Un Certain Regard Jury Prize at the 2024 Cannes Film Festival and the C\u00e9sar Award for Best Original Screenplay in 2025.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Scriptwriter<\/strong><\/p>\n<ul>\n<li>2007: <strong>La Troisi\u00e8me Fois<\/strong> by Annarita Zambrano<\/li>\n<li>2008: <strong>Andante Mezzo Forte<\/strong> by Annarita Zambrano<\/li>\n<li>2009: <strong>\u00c0 la lune montante<\/strong> by Annarita Zambrano<\/li>\n<li>2011: <strong>Dans la cour des grands<\/strong> by Annarita Zambrano<\/li>\n<li>2012: <strong>L\u2019Heure bleue<\/strong> by Annarita Zambrano<\/li>\n<\/ul>\n<h4>FEATURE FILMS<\/h4>\n<p><strong>Scriptwriter<\/strong><\/p>\n<ul>\n<li>2010\u00a0: <strong>La Vie au ranch<\/strong> by Sophie Letourneur<\/li>\n<li>2016\u00a0: <strong>After the War<\/strong> by Annarita Zambrano<\/li>\n<li>2024\u00a0: <strong>Inchallah a Boy<\/strong> by Amjad Al Rasheed<\/li>\n<li>2025 : <strong>Souleymane&#8217;s Story<\/strong> by Boris Lojkine<\/li>\n<li>2026\u00a0: <strong>La Mas Dulce<\/strong> by La\u00efla Marrakchi<\/li>\n<\/ul>\n<h4>TV SERIES<\/h4>\n<p><strong>Scriptwriter<\/strong><\/p>\n<ul>\n<li>2020: <strong>Skam France<\/strong>, seasons 4 &amp; 5 (France T\u00e9l\u00e9visions)<\/li>\n<li>2021: <strong>Un m\u00e8tre vingt <\/strong>(ARTE)<\/li>\n<li>2024: <strong>Nos vies en l\u2019air <\/strong>(France T\u00e9l\u00e9visions)<\/li>\n<li>2025: <strong>Le Signal<\/strong> (Paramount +)<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_column_text css=&#8221;.vc_custom_1767896177089{margin-bottom: 0px !important;}&#8221; el_class=&#8221;rs_instagram&#8221;]<a href=\"https:\/\/www.instagram.com\/delphine_agut\/\" target=\"_blank\" rel=\"noopener\">insta<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231129&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767892983668{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767893013064{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Slimane Dazi<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1737449348482{margin-bottom: 5px !important;}&#8221;]France[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767975023414{margin-bottom: 5px !important;}&#8221;]Actor, author[\/vc_column_text]<div id=\"modal-trg-txt-wrap-4619\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-4619 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8ca243-87362147\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8ca243-87362147\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8ca243-87362147 \" data-class=\"content-69eb768f8ca243-87362147\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-4226\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-4226 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Slimane Dazi \/ France<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-4226 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Actor, author<\/h3>\n<p data-start=\"0\" data-end=\"173\">Slimane Dazi is a French-Algerian actor, born in Nanterre in 1960. An actor as well as a writer, he published the autobiographical novel <em data-start=\"141\" data-end=\"164\">Indig\u00e8ne de la nation<\/em> in 2018.<\/p>\n<p data-start=\"175\" data-end=\"343\">He made his screen debut in <em data-start=\"203\" data-end=\"214\">A Prophet<\/em> by Jacques Audiard, which won the Grand Prix at the 2009 Cannes Film Festival and the C\u00e9sar Award for Best Film in 2010.<\/p>\n<p data-start=\"345\" data-end=\"713\">In 2006, he appeared in <em data-start=\"369\" data-end=\"381\">Sur le fil<\/em>, followed by <em data-start=\"395\" data-end=\"407\">La Commune<\/em> in 2007, <em data-start=\"417\" data-end=\"429\">Engrenages<\/em> in 2008, and <em data-start=\"443\" data-end=\"455\">The Bureau<\/em> (<em data-start=\"457\" data-end=\"481\">Le Bureau des l\u00e9gendes<\/em>) in 2009. In 2012, he starred in <em data-start=\"515\" data-end=\"525\">Rengaine<\/em> by Rachid Dja\u00efdani, for which he received the Francophone Trophy for Best Actor in 2013. That same year, he also appeared in <em data-start=\"655\" data-end=\"669\">I\u2019m Not Dead<\/em> (<em data-start=\"671\" data-end=\"692\">Je ne suis pas mort<\/em>) by Mehdi Ben Attia.<\/p>\n<p data-start=\"715\" data-end=\"938\">The year 2013 was marked by a Best Actor Award at the Marrakech International Film Festival for his role in <em data-start=\"827\" data-end=\"836\">Fi\u00e8vres<\/em> by Hicham Ayouch, as well as by his performance as Bilal in <em data-start=\"897\" data-end=\"921\">Only Lovers Left Alive<\/em> by Jim Jarmusch.<\/p>\n<p data-start=\"940\" data-end=\"1185\">In 2015, he played one of the leading roles in <em data-start=\"987\" data-end=\"1006\">Welcome to Norway<\/em> by Rune Denstad Langlo, then appeared in <em data-start=\"1048\" data-end=\"1055\">Chouf<\/em> by Karim Dridi. In 2016, he also starred in <em data-start=\"1100\" data-end=\"1124\">Les Derniers Parisiens<\/em> by Ekou\u00e9 and Ham\u00e9, alongside Reda Kateb and M\u00e9lanie Laurent.<\/p>\n<p data-start=\"1187\" data-end=\"1558\">After appearing in numerous projects such as <em data-start=\"1232\" data-end=\"1244\">La M\u00e9lodie<\/em> by Rachid Hami, <em data-start=\"1261\" data-end=\"1287\">The Nile Hilton Incident<\/em> (<em data-start=\"1289\" data-end=\"1312\">Le Caire confidentiel<\/em>) by Tarik Saleh, and the series <em data-start=\"1345\" data-end=\"1360\">Escale fatale<\/em> by David Caffrey, he was seen in <em data-start=\"1394\" data-end=\"1405\">The Angel<\/em> (<em data-start=\"1407\" data-end=\"1425\">L\u2019Ange du Mossad<\/em>) in 2018, <em data-start=\"1436\" data-end=\"1452\">South Terminal<\/em> (<em data-start=\"1454\" data-end=\"1468\">Terminal Sud<\/em>) by Rabah Ameur-Za\u00efmeche in 2019, and <em data-start=\"1507\" data-end=\"1524\">Suicide Tourist<\/em> by Jonas Alexander Arnby in 2020.<\/p>\n<p data-start=\"1560\" data-end=\"1751\">He was also featured in <em data-start=\"1584\" data-end=\"1596\">Tom Medina<\/em> by Tony Gatlif, an official selection at the 2021 Cannes Film Festival, as well as in the Disney+ miniseries <em data-start=\"1706\" data-end=\"1717\">Oussekine<\/em>, directed by Antoine Chevrollier.<\/p>\n<p data-start=\"1753\" data-end=\"2011\">In 2022, he appeared in <em data-start=\"1777\" data-end=\"1793\">For My Country<\/em> (<em data-start=\"1795\" data-end=\"1811\">Pour la France<\/em>) by Rachid Hami, <em data-start=\"1829\" data-end=\"1835\">Ammo<\/em> by Eirik Svensson, <em data-start=\"1855\" data-end=\"1864\">El Houb<\/em> by Shariff Nasr, <em data-start=\"1882\" data-end=\"1891\">Shukran<\/em> by Pietro Malegori, and <em data-start=\"1916\" data-end=\"1949\">Bin U Bin, Elsewhere the Border<\/em> (<em data-start=\"1951\" data-end=\"1985\">Bin U Bin, Ailleurs la fronti\u00e8re<\/em>) by Mohamed Lakhdar Tati.<\/p>\n<p data-start=\"2013\" data-end=\"2208\">In 2023, he appeared in <em data-start=\"2037\" data-end=\"2043\">Cash<\/em> by J\u00e9r\u00e9mie Rozan on Netflix, in the series <em data-start=\"2087\" data-end=\"2095\">Ourika<\/em>, as well as in <em data-start=\"2111\" data-end=\"2131\">The Serpent\u2019s Path<\/em> (<em data-start=\"2133\" data-end=\"2155\">Le Chemin du serpent<\/em>) by Kiyoshi Kurosawa and <em data-start=\"2181\" data-end=\"2188\">Sulak<\/em> by M\u00e9lanie Laurent.<\/p>\n<p data-start=\"2210\" data-end=\"2438\">This year, he appears in <em data-start=\"2235\" data-end=\"2245\">Bilingue<\/em> by Alexandre Koberidze, in the series <em data-start=\"2284\" data-end=\"2296\">Privil\u00e8ges<\/em> by Vladimir De Fontenay and Marie Monge, and is preparing to shoot the series <em data-start=\"2375\" data-end=\"2405\">The Countess of Monte Cristo<\/em> (<em data-start=\"2407\" data-end=\"2436\">La Comtesse de Monte-Cristo<\/em>).<\/p>\n<p data-start=\"2440\" data-end=\"2572\" data-is-last-node=\"\" data-is-only-node=\"\">Over the past 25 years, he has appeared in more than 150 short films, which he considers a true laboratory for his work as an actor.<\/p>\n<h4>SHORT FILMS (Selection)<\/h4>\n<p><strong>Actor<\/strong><\/p>\n<ul>\n<li>2007: <strong>Mon chien, moi et Bagdad<\/strong> by J\u00e9r\u00f4me Sanchez<\/li>\n<li>2007: <strong>Gourgou, l\u2019homme fort<\/strong> by Sacha Chelli<\/li>\n<li>2008: <strong>La Fissure<\/strong> by Mohamed Issolah<\/li>\n<li>2009: <strong>La Derni\u00e8re Valse<\/strong> by Sacha Chelli<\/li>\n<li>2010: <strong>Les Yeux baiss\u00e9s<\/strong> by Kamal Lazraq<\/li>\n<li>2011: <strong>Et Dieu tua la femme<\/strong> by Sacha Chelli<\/li>\n<li>2012: <strong>This Path Ahead<\/strong> by Ham\u00e9, Best Photography Award (for L\u00e9o Hinstin), National Competition &#8211; Le Court (Clermont-Ferrand) 2013 \/ <em>Face Forward <\/em>Selection\u00a0&#8211; Le Court (Clermont-Ferrand) 2018<\/li>\n<li>2012: <strong>Fatum<\/strong> by Sarah Marx<\/li>\n<li>2013: <strong>Si proche des miens<\/strong> by Baptiste Debraux<\/li>\n<li>2013: <strong>J\u2019mange pas de porc<\/strong> by Mohamed Belhamar &amp; Akim Isker<\/li>\n<li>2014: <strong>Your violences<\/strong> by Antoine Raimbault, National Award for Outstanding Performance for Nina M\u00e9lo, National Competition &#8211; Le Court (Clermont-Ferrand) 2014<\/li>\n<li>2014: <strong>Totems<\/strong> by Sarah Arnold<\/li>\n<li>2015: <strong>La Rivi\u00e8re sous la langue<\/strong> by Carmen Jaquier<\/li>\n<li>2015: <strong>Home Suite Home<\/strong> by Jeroen Houben<\/li>\n<li>2015: <strong>Ca\u00efds<\/strong> by Fran\u00e7ois Troukens<\/li>\n<li>2016: <strong>Seances<\/strong> by Guy Maddin<\/li>\n<li>2016: <strong>Jules<\/strong> by Ingrid Lanzenberg<\/li>\n<li>2016: <strong>Rhone or the Blue Love<\/strong> by Consuelo Frauenfelder &amp; Stefan Lauper<\/li>\n<li>2017: <strong>Terrain vague<\/strong> by Latifa Sa\u00efd<\/li>\n<li>2017: <strong>Ada tous les samedis<\/strong> by Camille Vigny<\/li>\n<li>2017: <strong>Et maintenant<\/strong> by Dominique Bylebyl<\/li>\n<li>2018: <strong>Qui vive <\/strong>by\u00a0Marguerite Pellerin<\/li>\n<li>2018: <strong>Mort aux codes<\/strong> by L\u00e9opold Legrand, National Jury Special Mention &#8211; Le Court (Clermont-Ferrand) 2019 \/ Opening selection &#8211; Le Court (Clermont-Ferrand) 2026<\/li>\n<li>2018: <strong>Stray Sheep<\/strong> by Madja Amin<\/li>\n<li>2019: <strong>Pyromanes<\/strong> by Antoine Delelis<\/li>\n<li>2020: <strong>Songlines (Le Chant des pistes)<\/strong> by Elise McLeod<\/li>\n<li>2020: <strong>Les Sanguins<\/strong> by Fran\u00e7ois Ruiz<\/li>\n<li>2021: <strong>Dew Point<\/strong> by Seob Kim Boninsegni<\/li>\n<li>2024: <strong>Paysage apr\u00e8s la bataille<\/strong> by Jo\u00e3o Paulo Miranda Maria<\/li>\n<li>2025: <strong>Le Petit Photographe<\/strong> by Vincent Malais\u00e9<\/li>\n<\/ul>\n<p><strong>Voice<\/strong><\/p>\n<ul>\n<li>2017: <strong>Derni\u00e8res Nouvelles du monde<\/strong> by Fran\u00e7ois Prodomid\u00e8s<\/li>\n<li>2017: <strong>Ondes noires<\/strong> by Isma\u00ebl Joffroy Chandoutis, Festivals Connexion Auvergne-Rh\u00f4ne-Alpes Award, Lab Competition &#8211; Le Court (Clermont-Ferrand) 2018<\/li>\n<li>2019: <strong>Pardon la mer<\/strong> by Fran\u00e7ois Ruiz<\/li>\n<\/ul>\n<p><strong>FEATURE FILMS<\/strong><\/p>\n<p><strong>Actor<\/strong><\/p>\n<ul>\n<li>2009: <strong>A Prophet<\/strong> by Jacques Audiard<\/li>\n<li>2011: <strong>Les Hommes libres<\/strong> by Isma\u00ebl Ferroukhi<\/li>\n<li>2011: <strong>Rabat<\/strong> by Victor Ponten &amp; Jim Taihuttu<\/li>\n<li>2011: <strong>De force<\/strong> by Frank Henry<\/li>\n<li>2012: <strong>Rengaine<\/strong> by Rachid Dja\u00efdani<\/li>\n<li>2012: <strong>Je ne suis pas mort<\/strong> by Mehdi Ben Attia<\/li>\n<li>2013: <strong>Fi\u00e8vres<\/strong> by Hicham Ayouch<\/li>\n<li>2013: <strong>Only Lovers Left Alive<\/strong> by Jim Jarmusch<\/li>\n<li>2013: <strong>96 heures<\/strong> by Fr\u00e9d\u00e9ric Schoendoerffer<\/li>\n<li>2013: <strong>Wolf<\/strong> by Jim Taihuttu<\/li>\n<li>2014: <strong>A Stormy Summer Nighh<\/strong>\u00a0by Fabrice Camoin<\/li>\n<li>2014: <strong>Full Contact<\/strong> byDavid Verbeel<\/li>\n<li>2015: <strong>I Want to Be Like You<\/strong> by Konstantin Bojanov<\/li>\n<li>2015: <strong>The Forbidden Room<\/strong> by Evan Johnson &amp; Guy Maddin<\/li>\n<li>2016: <strong>Two Birds, One Stone<\/strong> by Fejria Deliba<\/li>\n<li>2016: <strong>Welcome to Norway<\/strong> by Rune D. Langlo<\/li>\n<li>2016: <strong>Chouf<\/strong> by Karim Dridi<\/li>\n<li>2016: <strong>Last Call for Nowhere<\/strong> de Philippe de Chauveron<\/li>\n<li>2016: <strong>Paris Prestige<\/strong> by \u00c9kou\u00e9 et Ham\u00e9<\/li>\n<li>2017: <strong>The Nile Hilton Incident<\/strong>\u00a0by Tarik Saleh<\/li>\n<li>2017: <strong>Light Thereafter<\/strong> by Konstantin Bojanov<\/li>\n<li>2017: <strong>La M\u00e9lodie<\/strong> by Rachid Hami<\/li>\n<li>2017: <strong>Tueurs<\/strong> by Fran\u00e7ois Troukens<\/li>\n<li>2017: <strong>V\u00e9n\u00e9neuses<\/strong> by Jean-Pierre Mocky<\/li>\n<li>2018: <strong>Your Mother Should Know<\/strong> by Jeroen Houben<\/li>\n<li>2018: <strong>L\u2019Ange du Mossad<\/strong> by Ariel Vromen<\/li>\n<li>2019: <strong>Vagabondes<\/strong> by Philippe Dajoux<\/li>\n<li>2019: <strong>South<\/strong> <strong>Terminal<\/strong>\u00a0by Rabah Ameur-Zaimeche<\/li>\n<li>2019: <strong>Exit Plan<\/strong> by Jonas Alexander Arnby<\/li>\n<li>2019: <strong>It Must Be Heaven<\/strong> by Elia Suleiman<\/li>\n<li>2019: <strong>Sweetness in the Belly<\/strong> by Zeresenay Mehari<\/li>\n<li>2020: <strong>Simple<\/strong> <strong>Passion<\/strong>\u00a0by Danielle Arbid<\/li>\n<li>2020: <strong>Tom Medina<\/strong> by Tony Gatif<\/li>\n<li>2021: <strong>L\u2019Horizon<\/strong> by \u00c9milie Carpentier<\/li>\n<li>2021: <strong>Pour la France<\/strong> by Rachid Hami<\/li>\n<li>2022: <strong>El Houb<\/strong> by Shariff Nasr<\/li>\n<li>2022: <strong>Parisian Hustle<\/strong> by \u00c9kou\u00e9 &amp; Ham\u00e9<\/li>\n<li>2022: <strong>Une com\u00e9die romantique<\/strong> by Thibault Segouin<\/li>\n<li>2022: <strong>The Temple Wood Gangs<\/strong>\u00a0by Rabah Ameur-Za\u00efmeche<\/li>\n<li>2022: <strong>Comme un l\u00e9zard sur le mur<\/strong> by Mohamed Lakhdar Tati<\/li>\n<li>2023: <strong>Passages<\/strong> by Ira Sachs<\/li>\n<li>2023: <strong>Banlieusards 2<\/strong> by Kery James et Le\u00efla Sy<\/li>\n<li>2023: <strong>Serpent&#8217;s Path<\/strong> by Kiyoshi Kurosawa<\/li>\n<li>2024: <strong>Shukran<\/strong> by Pietro Malegori<\/li>\n<li>2024: <strong>Bin U Bin, Ailleurs la fronti\u00e8re<\/strong> by Mohamed Lakhdar Tati<\/li>\n<li>2025: <strong>The Stranger<\/strong> by Simon Staho<\/li>\n<li>2025: <strong>Dao<\/strong> by Alain Gomis<\/li>\n<li>2025: <strong>Badh<\/strong> by Guillaume de Fontenay<\/li>\n<\/ul>\n<p><strong>Voice<\/strong><\/p>\n<ul>\n<li>2018: <strong>The Tower<\/strong> by Mats Grorud<\/li>\n<\/ul>\n<p><strong>TV FILMS<\/strong><\/p>\n<p><strong>Actor<\/strong><\/p>\n<ul>\n<li>2016: <strong>Damocl\u00e8s<\/strong> dbye Manuel Schapira (ARTE)<\/li>\n<li>2016: <strong>Dawn<\/strong> by Robert Stromberg (Hulu)<\/li>\n<li>2023: <strong>Cash<\/strong> by J\u00e9r\u00e9mie Rozan (Netflix)<\/li>\n<li>2024: <strong>Freedom<\/strong> by M\u00e9lanie Laurent (Prime Video)<\/li>\n<\/ul>\n<p><strong>TV SERIES<\/strong><\/p>\n<p><strong>Actor<\/strong><\/p>\n<ul>\n<li>2007: <strong>La Commune<\/strong> by Abdel Raouf Dafri (CANAL+)<\/li>\n<li>2008: <strong>Engrenages<\/strong> by Alexandra Clert (CANAL+)<\/li>\n<li>2008: <strong>Sur le fil<\/strong> de Martin Garonne et Catherine Touzet (France T\u00e9l\u00e9visions)<\/li>\n<li>2010: <strong>Ink<\/strong>\u00a0by \u00c9kou\u00e9 &amp; Ham\u00e9 (CANAL+)<\/li>\n<li>2015: <strong>The Bureau<\/strong>\u00a0by \u00c9ric Rochant (CANAL+)<\/li>\n<li>2015: <strong>Braquo<\/strong> by Olivier Marchal (CANAL+)<\/li>\n<li>2018: <strong>Escale fatale<\/strong> by David Caffrey (RT\u00e9 One)<\/li>\n<li>2019: <strong>Les Sauvages<\/strong> by Sabri Louatah et Rebecca Zlotowski (CANAL+)<\/li>\n<li>2019: <strong>Seizure<\/strong> by Megan Gallagher (Viaplay)<\/li>\n<li>2020: <strong>Narvalo<\/strong> by Matthieu Longatte (CANAL+)<\/li>\n<li>2022: <strong>Oussekine<\/strong> de C\u00e9dric Ido et Antoine Chevrollier (Disney +)<\/li>\n<li>2022: <strong>Ammo<\/strong> by Ole Marius Araldsen &amp; Nicolai Cleve Broch (TV 2, Apple TV)<\/li>\n<li>2024: <strong>Ourika<\/strong> by Cl\u00e9ment Godart et \u00c9lie Yaffa (Prime Video)<\/li>\n<li>2025: <strong>Bistronomia<\/strong> by Marie-Sophie Chambon (France T\u00e9l\u00e9visions)<\/li>\n<\/ul>\n<p><strong>NOVEL<\/strong><\/p>\n<p><strong>Author<\/strong><\/p>\n<ul>\n<li>2018: <strong>Indig\u00e8ne de la nation<\/strong> (Don Quichotte ed.)<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_column_text css=&#8221;.vc_custom_1767895440254{margin-bottom: 0px !important;}&#8221; el_class=&#8221;rs_instagram&#8221;]<a href=\"https:\/\/www.instagram.com\/slimdazi\" target=\"_blank\" rel=\"noopener\">insta<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231131&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767893038555{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767893028839{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Charlie Nguyen Kim<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767976111525{margin-bottom: 5px !important;}&#8221;]<\/p>\n<p class=\"p1\">France, USA<\/p>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767976123616{margin-bottom: 5px !important;}&#8221;]Composer[\/vc_column_text]<div id=\"modal-trg-txt-wrap-5938\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-5938 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8ca8b9-42342418\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8ca8b9-42342418\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8ca8b9-42342418 \" data-class=\"content-69eb768f8ca8b9-42342418\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-7757\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-7757 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Charlie Nguyen Kim \/ France, USA<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-7757 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Composer<\/h3>\n<p data-start=\"60\" data-end=\"251\">Charlie Nguyen Kim is a multi-award-winning French composer based in Miami, renowned for his ability to blend orchestral and electronic music, influenced by both American and French styles.<\/p>\n<p data-start=\"253\" data-end=\"471\">With over 200 projects to his name, he has composed for numerous films and TV series broadcast on major American and French networks, collaborating with directors such as Luc Besson, Scott Waugh, and Luke Greenfield.<\/p>\n<p data-start=\"473\" data-end=\"650\">In 2020, he was selected at the Cannes Film Festival among the 40 best composers in the world during the inaugural edition of <em data-start=\"599\" data-end=\"618\">Spot the Composer<\/em>, alongside Alexandre Desplat.<\/p>\n<p data-start=\"652\" data-end=\"870\">His original music for the 2024 Olympic Games, narrated by Marion Cotillard, was presented in official competition at the Cannes Film Festival. In 2025, he received an award at the South by Southwest (SXSW) festival.<\/p>\n<p data-start=\"872\" data-end=\"1235\">His work in the luxury sector includes composing the original music for Lanc\u00f4me\u2019s <em data-start=\"954\" data-end=\"972\">La Vie est Belle<\/em> campaign, featuring Julia Roberts and directed by Bruno Aveillan, as well as collaborations with Patrick Dempsey. He has also created sonic identities for brands such as Porsche, Louis Vuitton, Rolls-Royce, and many others, earning him two Cannes Lions Awards.<\/p>\n<p data-start=\"1237\" data-end=\"1392\">His music has also been exhibited at the Atelier des Lumi\u00e8res in Paris and presented at the Osaka World Expo as well as at Giolabs in Luxembourg in 2025.<\/p>\n<p data-start=\"1394\" data-end=\"1782\">In parallel, Charlie is an electronic music producer under the name KIMOTION. He has collaborated with major artists such as Diplo, Justice, Like Mike, Myl\u00e8ne Farmer, Grand Corps Malade, and Passi, among others. As KIMOTION, he has reached the top of international charts and shared the stage with legends like David Guetta, Avicii, Swedish House Mafia, Martin Garrix, and Robin Schulz.<\/p>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Composer<\/strong><\/p>\n<ul>\n<li>2011: <strong>Une vie de chien<\/strong> by Cyril Ethan Robert<\/li>\n<li>2011: <strong>Spirit<\/strong> by Mathias Walter<\/li>\n<li>2017: <strong>For Blood<\/strong> by Lorenzo de Guia<\/li>\n<li>2022: <strong>A Fight for the King<\/strong> by Fabien Dufils<\/li>\n<\/ul>\n<h4>FEATURE FILMS<\/h4>\n<p><strong>Compositeur<\/strong><\/p>\n<ul>\n<li>2009: <strong>Banlieue 13: Ultimatum<\/strong> by Patrick Alessandrin<\/li>\n<li>2009: <strong>Commis d\u2019office<\/strong> by Hannelore Cayre<\/li>\n<li>2010: <strong>Coursier<\/strong> by Herv\u00e9 Renoh<\/li>\n<li>2013: <strong>Un prince (presque) charmant<\/strong> by Philippe Lellouche<\/li>\n<li>2013: <strong>Collision<\/strong> by David Marconi<\/li>\n<li>2014: <strong>Un village presque parfait<\/strong> by St\u00e9phane Meunier<\/li>\n<li>2016: <strong>Quelque chose de grand<\/strong> by Fanny Tondre<\/li>\n<li>2018: <strong>Taxi 5<\/strong> by Franck Gastambide<\/li>\n<li>2018: <strong>Neuilly sa m\u00e8re, sa m\u00e8re\u00a0!<\/strong> by Djamel Bensalah &amp; Gabriel Julien-Laferri\u00e8re<\/li>\n<li>2025: <strong>Une journ\u00e9e incontr\u00f4lable <\/strong>by Luke Greenfield<\/li>\n<li>2025: <strong>Runner<\/strong> by Scott Waugh<\/li>\n<\/ul>\n<h4><strong>TV FILMS<\/strong><\/h4>\n<p><strong>Composer<\/strong><\/p>\n<ul>\n<li>2006: <strong>C\u0153ur de Cor\u00e9enne<\/strong> by Philippe Rostan<\/li>\n<li>2009: <strong>Inconnu, pr\u00e9sum\u00e9 fran\u00e7ais<\/strong> by Philippe Rostan<\/li>\n<li>2010: <strong>Les Trois Guerres de Madeleine Riffaud <\/strong>by Philippe Rostan (France T\u00e9l\u00e9visions)<\/li>\n<li>2011: <strong>Le March\u00e9 de l\u2019amour<\/strong> by Philippe Rostan (France T\u00e9l\u00e9visions)<\/li>\n<li>2011: <strong>Le Lotus dans tous ses \u00e9tats<\/strong> by Philippe Rostan (France T\u00e9l\u00e9visions)<\/li>\n<li>2017: <strong>Le dernier paradis des Kalinagos <\/strong>by Philippe Rostan<\/li>\n<li>2017: <strong>L\u2019H\u00f4pital \u00e0 fleur de peau<\/strong> by Cyril Denvers et Pierre Duyckaerts (France T\u00e9l\u00e9visions)<\/li>\n<li>2017: <strong>Welcome chez nous<\/strong> by Adrien Pinon (LCP)<\/li>\n<li>2017: <strong>Trognes\u00a0: Les Arbres aux mille visages<\/strong> by Timoth\u00e9e Janssen (ARTE)<\/li>\n<li>2018: <strong>La Mission fleuve<\/strong> by Philippe Rostan (France T\u00e9l\u00e9visions)<\/li>\n<li>2018: <strong>98, secrets d\u2019une victoire<\/strong> by Nicolas Glimois &amp; Gr\u00e9goire Margotton (TF1)<\/li>\n<li>2019: <strong>Degas \u00e0 l\u2019op\u00e9ra<\/strong> by Blandine Armand &amp; Vincent Trisolini<\/li>\n<li>2019: <strong>1919-1920 &#8211; Apr\u00e8s la guerre, l&#8217;impossible oubli<\/strong> by Gabriel Le Bomin (France T\u00e9l\u00e9visions)<\/li>\n<li>2019: <strong>Addiction, vivre sans<\/strong> by Karine Dusfour<\/li>\n<li>2019: <strong>Les Hmongs, entre ciel et terre <\/strong>by Philippe Rostan<\/li>\n<li>2020: <strong>La France catholique face \u00e0 la Shoah<\/strong> by Marie-Christine Gambart (France T\u00e9l\u00e9visions)<\/li>\n<li>2020: <strong>Bouche cousue<\/strong> by Karine Dusfour (ARTE)<\/li>\n<li>2020: <strong>Le Pillage des appartements juifs, l&#8217;Op\u00e9ration Meuble<\/strong> by Cyril Denvers (Plan\u00e8te+)<\/li>\n<li>2021: <strong>Vulkan, la ville du futur<\/strong> by Eivind Resaland &amp; Philippe Rostan<\/li>\n<li>2021: <strong>Les Rois de l\u2019arnaque<\/strong> by Guillaume Nicloux (Netflix)<\/li>\n<li>2022: <strong>Ennemi intime<\/strong> by Marie-Christine Gambart et \u00c9milie Grall (France T\u00e9l\u00e9visions)<\/li>\n<li>2022: <strong>M\u00e9dicaments : les profits de la p\u00e9nurie<\/strong> by Xavier Deleu (ARTE)<\/li>\n<li>2022: <strong>Deep Time &#8211; Une exp\u00e9rience hors du temps<\/strong> by Guy Beauch\u00e9<\/li>\n<li>2022: <strong>Les S\u0153urs Nardal, les oubli\u00e9es de la n\u00e9gritude<\/strong> by Marie-Christine Gambart (France T\u00e9l\u00e9visions)<\/li>\n<li>2023: <strong>Afghanes<\/strong> by Sol\u00e8ne Chalvon-Fioriti (France T\u00e9l\u00e9visions)<\/li>\n<li>2023: <strong>\u00c9pid\u00e9mies, l&#8217;empreinte de l&#8217;homme<\/strong> by Xavier Deleu (France T\u00e9l\u00e9visions)<\/li>\n<li>2023: <strong>Viol, d\u00e9fi de justice<\/strong> by Marie Bonhommet (France T\u00e9l\u00e9visions)<\/li>\n<li>2023: <strong>La R\u00e9publique des lyc\u00e9ens<\/strong> by St\u00e9phanie Lamorr\u00e9 France T\u00e9l\u00e9visions)<\/li>\n<li>2023: <strong>Lambert contre Lambert<\/strong> by \u00c9lodie Buzuel et Vincent Trisolini (Disney+)<\/li>\n<li>2024: <strong>Ikea, le seigneur des for\u00eats<\/strong> by Xavier Deleu et Marianne Kerfriden (ARTE)<\/li>\n<li>2024: <strong>Le compromis &#8211; Dans les coulisses du pouvoir<\/strong> by Fanny Tondre (ARTE)<\/li>\n<li>2024: <strong>Olympiques ! La France des Jeux<\/strong> by Micka\u00ebl Gamrasni (France T\u00e9l\u00e9visions)<\/li>\n<li>2024: <strong>Nous, jeunesse(s) d&#8217;Iran<\/strong> by Sol\u00e8ne Chalvon-Fioriti (France T\u00e9l\u00e9visions)<\/li>\n<li>2024: <strong>La Visite<\/strong> by \u00c9lodie Buzuel (France T\u00e9l\u00e9visions)<\/li>\n<li>2024: <strong>Avortement aux \u00c9tats-Unis : la grande fracture<\/strong> by Cyril Denvers (France T\u00e9l\u00e9visions)<\/li>\n<li>2024: <strong>Entre vengeance et justice, la France de l&#8217;\u00e9puration <\/strong>by Marie-Christine Gambart (France T\u00e9l\u00e9visions)<\/li>\n<li>2025: <strong>En route vers elles<\/strong> by Emmanuel Corre (France T\u00e9l\u00e9visions)<\/li>\n<li>2025: <strong>48h pour r\u00e9parer le monde<\/strong> by Adrien Benoliel &amp; \u00c9lodie Bruzuel (CANAL+)<\/li>\n<li>2025: <strong>Pierre de B\u00e9rulle, le silence de l&#8217;infini <\/strong>by Philippe Rostan<\/li>\n<li>2025: <strong>Catherine Leroy, une Fran\u00e7aise dans la guerre du Vietnam <\/strong>by Marie-Christine Gambart (France T\u00e9l\u00e9visions)<\/li>\n<\/ul>\n<h4><strong>TV SERIES<\/strong><\/h4>\n<p><strong>Composer<\/strong><\/p>\n<ul>\n<li>2012: <strong>Guerre d&#8217;Alg\u00e9rie, la d\u00e9chirure<\/strong> by Gabriel Le Bomin (France T\u00e9l\u00e9visions)<\/li>\n<li>2013-2014: <strong>Petits Secrets entre voisins<\/strong> (TF1)<\/li>\n<li>2016: <strong>You Got Trumped: The First 100 Days <\/strong><\/li>\n<li>2017: <strong>Un procureur sur la ville<\/strong> (France T\u00e9l\u00e9visions)<\/li>\n<li>2017: <strong>Terres de cin\u00e9ma<\/strong> (ARTE)<\/li>\n<li>2018: <strong>Les Innocents<\/strong> (TF1)<\/li>\n<li>2018: <strong>La France de l&#8217;entre-deux-guerres<\/strong> (France T\u00e9l\u00e9visions)<\/li>\n<li>2019: <strong>Cut\u00a0!<\/strong> by Bertrand Cohen, Eug\u00e9nie Dard, Marie Roussin &amp; St\u00e9phane Meunier (France T\u00e9l\u00e9visions)<\/li>\n<li>2019: <strong>Passage \u00e0 l\u2019acte<\/strong> (La Trois)<\/li>\n<li>2020: <strong>Nous, Fran\u00e7ais musulmans<\/strong> by Romain Icard (ARTE)<\/li>\n<li>2020: <strong>Petits Secrets en famille<\/strong> (TF1)<\/li>\n<li>2021: <strong>OPJ<\/strong> debyBertrand Cohen (France T\u00e9l\u00e9visions)<\/li>\n<li>2021: <strong>Enfances Criminelles<\/strong> (France T\u00e9l\u00e9visions)<\/li>\n<li>2021: <strong>Les Coulisses de l\u2019Histoire &#8211;<\/strong> <strong>La D\u00e9nazification, mission impossible<\/strong> by Micka\u00ebl Gamrasni (ARTE)<\/li>\n<li>2021-2023: <strong>LOL : Qui rit, sort !<\/strong> (Prime Video)<\/li>\n<li>2022: <strong>Les \u00c9claireurs de l&#8217;eau<\/strong> by C\u00e9dric Leprettre &amp; Basile Roze (Apple TV)<\/li>\n<li>2023: <strong>La France de l&#8217;apr\u00e8s-guerre (1944-1962)<\/strong> by Micka\u00ebl Gamrasni (France T\u00e9l\u00e9visions)<\/li>\n<li>2024: <strong>En cavale<\/strong> by Candice Souillac (CANAL+)<\/li>\n<li>2024: <strong>Plus belle la vie, encore plus belle<\/strong> (TF1)<\/li>\n<li>2024: <strong>1939-1945, The Sound and the Fury <\/strong>by Micka\u00ebl Gamrasni (France T\u00e9l\u00e9visions)<\/li>\n<\/ul>\n<h4><strong>TV\u00a0<\/strong><\/h4>\n<p><strong>Composer<\/strong><\/p>\n<ul>\n<li>2008-2012: <strong>Les Nouveaux Explorateurs<\/strong> (CANAL+)<\/li>\n<li>2011: <strong>Au nom de l&#8217;ordre et de la morale<\/strong> by Bruno Joucla<\/li>\n<li>2014-2024: <strong>Le monde en face<\/strong> (TF1)<\/li>\n<li>2015: <strong>Les Princes \u00e0 deux bosses<\/strong> by Fran\u00e7ois Brey &amp; Patrice Desenne<\/li>\n<li>2015: <strong>Les Vaisseaux du d\u00e9sert<\/strong> by Fran\u00e7ois Brey &amp; Patrice Desenne<\/li>\n<li>2015: <strong>Les Dieux des Andes<\/strong> by Fran\u00e7ois Brey &amp; Patrice Desenne<\/li>\n<li>2017: <strong>D\u00e9penses fant\u00f4mes<\/strong> by Aur\u00e9lia Bloch &amp; Cyril Thomas (TV5 Monde)<\/li>\n<li>2020-2024: <strong>La Case du si\u00e8cle<\/strong> (France T\u00e9l\u00e9visions)<\/li>\n<li>2022: <strong>Infrarouge &#8211; Entendre l&#8217;indicible<\/strong> by Marie Bonhommet (France T\u00e9l\u00e9visions)<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_column_text css=&#8221;.vc_custom_1767895833949{margin-bottom: 0px !important;}&#8221; el_class=&#8221;lien_web&#8221;]<a href=\"https:\/\/charlienguyenkim.com\/\" target=\"_blank\" rel=\"noopener\">web<\/a>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767895852052{margin-bottom: 0px !important;}&#8221; el_class=&#8221;rs_instagram&#8221;]<a href=\"https:\/\/www.instagram.com\/charlienguyenkim\" target=\"_blank\" rel=\"noopener\">insta<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=&#8221;yes&#8221; gap=&#8221;35&#8243; css=&#8221;.vc_custom_1767893440445{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231133&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767895898085{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767895990101{margin-bottom: 5px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Antonin Peretjatko<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1737449341153{margin-bottom: 5px !important;}&#8221;]France[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767977114281{margin-bottom: 5px !important;}&#8221;]Filmmaker, scriptwriter, editor[\/vc_column_text]<div id=\"modal-trg-txt-wrap-1206\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-1206 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8caf07-82280627\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8caf07-82280627\" data-overlay-class=\"overlay-zoomout\">Bio et infos<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8caf07-82280627 \" data-class=\"content-69eb768f8caf07-82280627\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-4901\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-4901 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Antonin Peretjatko \/ France<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-4901 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Filmmaker, scriptwriter, editor<\/h3>\n<p data-start=\"62\" data-end=\"651\">Graduated from the \u00c9cole nationale sup\u00e9rieure Louis-Lumi\u00e8re in 1999, Antonin Peretjatko embarked on a career in directing while simultaneously working as a camera assistant. His first short film, <em data-start=\"258\" data-end=\"277\">L\u2019Heure de pointe<\/em>, followed by others such as <em data-start=\"306\" data-end=\"330\">Changement de trottoir<\/em> and <em data-start=\"335\" data-end=\"348\">French Kiss<\/em>, were shortlisted for the C\u00e9sar Awards. He directed two making-of documentaries for Jacques Audiard on the sets of <em data-start=\"464\" data-end=\"475\">A Prophet<\/em> (<em data-start=\"477\" data-end=\"500\">Derri\u00e8re les barreaux<\/em>) and <em data-start=\"506\" data-end=\"521\">Rust and Bone<\/em> (<em data-start=\"523\" data-end=\"538\">Un m\u00e9lo trash<\/em>) before releasing his first feature film, <em data-start=\"581\" data-end=\"605\">La Fille du 14 juillet<\/em>, starring Vimala Pons and Vincent Macaigne.<\/p>\n<p data-start=\"653\" data-end=\"967\">Comedy is a lie that tells the truth. Following this principle, his second feature, <em data-start=\"737\" data-end=\"758\">La Loi de la jungle<\/em>, filmed in French Guiana in 2016, portrays a world of interns working on an absurd ski resort project in the jungle\u2014an endeavor that could foreshadow the 2029 Asian Winter Games in the Saudi Arabian desert.<\/p>\n<p data-start=\"969\" data-end=\"1334\">Between his feature films, Peretjatko has created shorts such as <em data-start=\"1034\" data-end=\"1061\">Les Rendez-vous du samedi<\/em>, a film about the Yellow Vest movement that blurs the line between documentary and fiction, shot in 16mm 3D. His third feature, <em data-start=\"1190\" data-end=\"1210\">La Pi\u00e8ce rapport\u00e9e<\/em>, which explores the world of the ultra-rich with Josianne Balasko and Philippe Katerine, was released at the end of 2021.<\/p>\n<p data-start=\"1336\" data-end=\"1524\">His work alternates between fiction and documentary, digital and 16mm, as 16mm in cinema is to film what pointillism is to painting. He undertook a world tour in 2004 with a 16mm camera.<\/p>\n<p data-start=\"1526\" data-end=\"1753\">Twenty years later, <em data-start=\"1546\" data-end=\"1575\">Voyage au bord de la guerre<\/em>, again shot in 16mm in Ukraine, won an award at FID Marseille in 2024. 16mm is a travel format\u2014the grain of the film propels the imagination both inside and outside the frame.<\/p>\n<p data-start=\"1755\" data-end=\"1970\"><em data-start=\"1755\" data-end=\"1767\">Vade Retro<\/em>, released on December 31, 2025, is an anti-dogma, anti-everything horror-comedy starring Est\u00e9ban, Pascal L\u00e9gitimus, and Arielle Dombasle. Antonin Peretjatko does not work in television or advertising.<\/p>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Director, scriptwriter, editor<\/strong><\/p>\n<ul>\n<li>2002:<strong> L\u2019Heure de pointe<\/strong>, National Competition &#8211; Le Court (Clermont-Ferrand) 2002<\/li>\n<li>2003: <strong>Changement de trottoir<\/strong>, National Competition &#8211; Le Court (Clermont-Ferrand) 2004<\/li>\n<li>2004: <strong>French Kiss<\/strong>, National Competition &#8211; Le Court (Clermont-Ferrand) 2005 \/ Ch\u00e2teau-Rouge Productions Carte blanche Selection &#8211; Le Court (Clermont-Ferrand) 2008<\/li>\n<li>2006: <strong>L\u2019Op\u00e9ration de la derni\u00e8re chance<\/strong><\/li>\n<li>2010: <strong>Paris Monopole<\/strong><\/li>\n<li>2011: <strong>Les Secrets de l\u2019invisible<\/strong>, Ecce FilmsCarte blanche Selection &#8211; Le Court (Clermont-Ferrand) 2013<\/li>\n<li>2012: <strong>Un m\u00e9lo trash<\/strong><\/li>\n<li>2014: <strong>Vous voulez une histoire\u00a0?<\/strong>, <em>T\u00e9l\u00e9rama<\/em> Press Prize &#8211; Le Court (Clermont-Ferrand) 2015 \/ Opening Selection &#8211; Le Court (Clermont-Ferrand) 2026<\/li>\n<li>2017: <strong>Panique au S\u00e9nat<\/strong>, comp\u00e9tition nationale et s\u00e9lection Films en relief &#8211; Le Court (Clermont-Ferrand) 2018<\/li>\n<li>2020: <strong>Les Rendez-vous lumineux\u00a0 <\/strong><\/li>\n<li>2020: <strong>Mandico et le TOpsychoPOR<\/strong><\/li>\n<li>2022: <strong>Les Rendez-vous du samedi<\/strong>, Grand prix &#8211; Festival Courant3D (Angoul\u00eame)<\/li>\n<li>2022:<strong> Les Algues mal\u00e9fiques <\/strong><\/li>\n<\/ul>\n<h4>FEATURE FILMS<\/h4>\n<p><strong>Director, scriptwriter<\/strong><\/p>\n<ul>\n<li>2009: <strong>Derri\u00e8re les barreaux<\/strong><\/li>\n<li>2013: <strong>The Rendez-vous of D\u00e9j\u00e0-vu<\/strong>, Selection &#8211; Director&#8217;s Fortnight (Cannes) 2013<\/li>\n<li>2016: <strong>Struggle for Life<\/strong><\/li>\n<li>2021: <strong>Old Fashioned<\/strong><\/li>\n<li>2024: <strong>Voyage au bord de la guerre<\/strong>, \u00c9cole de la 2<sup>e<\/sup> chance Award &#8211; FID Marseille 2024<\/li>\n<li>2025: <strong>Vade Retro<\/strong><\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231135&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767895912255{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767896000567{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Marion Vernoux<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1737449348482{margin-bottom: 5px !important;}&#8221;]France[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767977143898{margin-bottom: 5px !important;}&#8221;]Filmmaker, scriptwriter, actress, author[\/vc_column_text]<div id=\"modal-trg-txt-wrap-4063\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-4063 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8cb8c3-54821463\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8cb8c3-54821463\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8cb8c3-54821463 \" data-class=\"content-69eb768f8cb8c3-54821463\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-2224\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-2224 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Marion Vernoux \/ France<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-2224 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Filmmaker, scriptwriter, actress, author<\/h3>\n<p data-start=\"63\" data-end=\"151\">Marion Vernoux has always known she would make films, for as long as she can remember.<\/p>\n<p data-start=\"153\" data-end=\"345\">At 20, she wrote <em data-start=\"170\" data-end=\"189\">Pacific Palisades<\/em>, her first feature-length screenplay. By 24, she directed <em data-start=\"248\" data-end=\"266\">Pierre qui roule<\/em>, a TV movie produced by ARTE, starring Marianne Denicourt and Beno\u00eet R\u00e9gent.<\/p>\n<p data-start=\"347\" data-end=\"471\">Her first feature film, <em data-start=\"371\" data-end=\"391\">Personne ne m\u2019aime<\/em>, brought together Bernadette Lafont, Bulle Ogier, Jean-Pierre L\u00e9aud, and Lio\u2026<\/p>\n<p data-start=\"473\" data-end=\"595\">Alternating between successes and setbacks with remarkable consistency, she went on to make a dozen films and TV movies.<\/p>\n<p data-start=\"597\" data-end=\"862\">In 2016, she published <em data-start=\"620\" data-end=\"633\">Mobile Home<\/em> with \u00c9ditions de l\u2019Olivier, an autobiography presented as an inventory of belongings. She is currently working on the screenplay for <em data-start=\"767\" data-end=\"791\">Juste pour aujourd\u2019hui<\/em>, her next feature film, produced by Caroline Adrian (Delante Films).<\/p>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Director<\/strong><\/p>\n<ul>\n<li>1997: <strong>Dedans<\/strong>, National Competition &#8211; Le Court (Clermont-Ferrand) 1997 \/ <em>Face Forward<\/em> Seleciton &#8211; Le Court (Clermont-Ferrand) 2018 \/ Opening &#8211; Le Court (Clermont-Ferrand) 2026<\/li>\n<li>2000:<strong> Drugstore<\/strong><\/li>\n<\/ul>\n<p><strong>FEATURE FILMS<\/strong><\/p>\n<p><strong>Director, scriptwriter<\/strong><\/p>\n<ul>\n<li>1994: <strong>Personne ne m\u2019aime<\/strong> (co-script. Nicolas Err\u00e8ra)<\/li>\n<li>1996: <strong>Love, etc.<\/strong> (co-script. Dodine Herry-Grimaldi)<\/li>\n<li>1999: <strong>Empty Days<\/strong> (co-script. Santiago Amigorena, Marc Syrigas, Ga\u00eblle Mac\u00e9)<\/li>\n<li>2017: <strong>My Guy<\/strong> (co-script. Gr\u00e9goire Vigneron, Christophe Duchatelet, Romain Compingt, Fanny Chesnel, Marie Weinberger)<\/li>\n<li>2001: <strong>A Hell of a Day<\/strong> (co-script. Nathalie Kristy)<\/li>\n<li>2004: <strong>\u00c0 boire<\/strong> (co-script. Thomas Bidegain, Fr\u00e9d\u00e9ric Jardin)<\/li>\n<li>2013: <strong>Bright Days Ahead<\/strong>\u00a0(co-script. Fanny Chesnel)<\/li>\n<li>2015: <strong>Half Sister, Full Love<\/strong><\/li>\n<\/ul>\n<p><strong>Scriptwriter<\/strong><\/p>\n<ul>\n<li>1990: <strong>Pacific Palisades<\/strong> by Bernard Schmitt<\/li>\n<li>1998: <strong>La Voie est libre<\/strong> by St\u00e9phane Clavier (co-script. Santiago Amigorena, St\u00e9phane Clavier, Christophe Loisillon)<\/li>\n<li>1999: <strong>Venus Beauty Institure<\/strong>\u00a0by Tonie Marshall (co-script. Jacques Audiard, Tonie Marshall)<\/li>\n<li>2023: <strong>Let Me Go<\/strong> by Maxime Rappaz (co-script. Maxime Rappaz, Florence Seyvos)<\/li>\n<\/ul>\n<p><strong>Actress<\/strong><\/p>\n<ul>\n<li>1996: <strong>Je n\u2019en ferai pas un drame<\/strong> by Dodine Henry<\/li>\n<li>2016: <strong>Grave<\/strong> by Julia Ducournau<\/li>\n<li>2024: <strong>Mika ex-Machina<\/strong> by Mika Tard &amp; D\u00e9borah Sa\u00efag<\/li>\n<li>2025: <strong>Mikado<\/strong> by Baya Kasmi<\/li>\n<\/ul>\n<p><strong>TV FILMS<\/strong><\/p>\n<p><strong>Director, scriptwriter<\/strong><\/p>\n<ul>\n<li>1991\u00a0: <strong>Pierre qui roule<\/strong><\/li>\n<li>2008\u00a0: <strong>Rien dans les poches<\/strong> (cosc\u00e9nar. La\u00ebtitia Trapet)<\/li>\n<li>2020\u00a0: <strong>Comme des reines<\/strong> (France T\u00e9l\u00e9visions)<\/li>\n<\/ul>\n<p><strong>Scriptwriter<\/strong><\/p>\n<ul>\n<li>2003: <strong>Jusqu\u2019au bout de la route<\/strong> by J\u00e9r\u00f4me Boivin (co-script. J\u00e9r\u00f4me Boivin)<\/li>\n<\/ul>\n<p><strong>TV SERIES<\/strong><\/p>\n<p><strong>Director, scriptwriter<\/strong><\/p>\n<p>2023: <strong>Frotter frotter<\/strong> (co-script. H\u00e9l\u00e8ne Le Gal, Laure Mentzel, Agathe Robilliard, Sandrine Gregor) (France T\u00e9l\u00e9visions)<\/p>\n<p><strong>NOVEL<\/strong><\/p>\n<p><strong>Author<\/strong><\/p>\n<ul>\n<li>2017: <strong>Mobile home<\/strong> (L\u2019Olivier ed.)<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;Lab Jury&#8221; tab_id=&#8221;en-lab-26&#8243;][vc_row_inner equal_height=&#8221;yes&#8221; gap=&#8221;35&#8243; css=&#8221;.vc_custom_1767893440445{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231174&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767900834275{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767900885442{margin-bottom: 5px !important;}&#8221;]<\/p>\n<h5><strong>C\u00e9line Br\u00e9ant<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1737449341153{margin-bottom: 5px !important;}&#8221;]France[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767977930747{margin-bottom: 5px !important;}&#8221;]<\/p>\n<p data-start=\"55\" data-end=\"120\">Director of La Com\u00e9die de Clermont-Ferrand, Sc\u00e8ne Nationale<\/p>\n<p>[\/vc_column_text]<div id=\"modal-trg-txt-wrap-1643\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-1643 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8cc256-53017842\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8cc256-53017842\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8cc256-53017842 \" data-class=\"content-69eb768f8cc256-53017842\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-3286\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-3286 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">C\u00e9line Br\u00e9ant \/ France<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-3286 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3 data-start=\"55\" data-end=\"120\">Director of La Com\u00e9die de Clermont-Ferrand, Sc\u00e8ne Nationale<\/h3>\n<p data-start=\"122\" data-end=\"620\">Since September 2021, C\u00e9line Br\u00e9ant has been the director of La Com\u00e9die de Clermont-Ferrand, Sc\u00e8ne Nationale. Four years after her arrival, she continues to pursue a project built on two core values: bringing people together and sharing. Bringing people together around a vibrant and demanding artistic project that involves the team, artists, partners, and the local community. Sharing with the widest possible audience, with particular attention to youth, arts education, and audience outreach.<\/p>\n<p data-start=\"622\" data-end=\"934\">Her project, titled <strong data-start=\"642\" data-end=\"683\">\u201cPOP\u201d \u2013 Projet Ouvert aux Populations<\/strong>, reflects a generous and inclusive vision of live performance: a national stage at the heart of the city, attentive to communities and contemporary issues, open to emerging artistic forms, and fostering connections across disciplines and audiences.<\/p>\n<p data-start=\"936\" data-end=\"1339\">Before joining La Com\u00e9die, C\u00e9line Br\u00e9ant dedicated over twenty years to the development and dissemination of contemporary dance. She notably served as director of the Gymnase | National Choreographic Development Center (CDCN) in Roubaix from 2012, after working at Les Hivernales | National Choreographic Development Center in Avignon, where she was responsible for programming and European relations.<\/p>\n<p data-start=\"1341\" data-end=\"1490\">Her career demonstrates a consistent commitment to artistic creation, cultural cooperation, and dialogue between works, disciplines, and audiences.<\/p>\n<h4>CAREER PATH<\/h4>\n<ul>\n<li>1998-2010: European Relations Officer, then Director of Programming and European Relations at Les Hivernales \/ CDCN, Avignon<\/li>\n<li>2012-2021: Director of the Gymnase \/ CDCN, Roubaix<\/li>\n<li>Since 2021: Director of La Com\u00e9die de Clermont-Ferrand, Sc\u00e8ne Nationale<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_column_text css=&#8221;.vc_custom_1767901061880{margin-bottom: 0px !important;}&#8221; el_class=&#8221;lien_web&#8221;]<a href=\"https:\/\/www.lacomediedeclermont.com\/\" target=\"_blank\" rel=\"noopener\">web<\/a>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767901077473{margin-bottom: 0px !important;}&#8221; el_class=&#8221;rs_instagram&#8221;]<a href=\"https:\/\/www.instagram.com\/lacomediedeclermont\" target=\"_blank\" rel=\"noopener\">insta<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231176&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767900847794{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767901102313{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5><strong>Greg\u00f3rio<\/strong> <strong>Graziosi<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767977948071{margin-bottom: 5px !important;}&#8221;]Brazil[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767978013571{margin-bottom: 5px !important;}&#8221;]Filmmaker, scriptwriter, actor[\/vc_column_text]<div id=\"modal-trg-txt-wrap-1743\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-1743 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8cc891-37323104\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8cc891-37323104\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8cc891-37323104 \" data-class=\"content-69eb768f8cc891-37323104\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-7253\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-7253 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Greg\u00f3rio Graziosi \/ Brazil<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-7253 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Filmmaker, scriptwriter, actor<\/h3>\n<p data-start=\"55\" data-end=\"713\">Greg\u00f3rio Graziosi is a Brazilian filmmaker born in 1983. He graduated in Fine Arts and Film Studies. <em data-start=\"156\" data-end=\"162\">Obra<\/em>, his first feature film, won an award at the Toronto International Film Festival in 2014. He participated in the artistic residency program at the Cannes Film Festival \u2013 Cin\u00e9fondation, the Locarno Filmmakers Academy, and the CPH DOX Lab in Copenhagen. Between 2007 and 2012, his early short films were selected by major festivals such as Cannes Cin\u00e9fondation, Locarno, Mar del Plata, Clermont-Ferrand, and IDFA. He also directed the music video <em data-start=\"608\" data-end=\"624\">How He Entered<\/em> for the renowned British band Tindersticks, as part of the <em data-start=\"684\" data-end=\"702\">The Waiting Room<\/em> project.<\/p>\n<p data-start=\"715\" data-end=\"960\"><em data-start=\"715\" data-end=\"725\">Tinnitus<\/em>, his second feature film, developed at Cin\u00e9fondation, was screened at festivals in Mar del Plata, Cairo, Kerala, and others. At the Gramado Film Festival, it won the Kikito Awards for Best Cinematography, Art Direction, and Editing.<\/p>\n<p data-start=\"962\" data-end=\"1125\">He is currently developing his third feature film, <em data-start=\"1013\" data-end=\"1019\">Casa<\/em>, and writing <em data-start=\"1033\" data-end=\"1059\">The Demon in the Factory<\/em>, in partnership with Ivan Melo\u2019s production company, Cup Films.<\/p>\n<p data-start=\"1127\" data-end=\"1263\">He also stood out as an actor in 2024, playing Salvatore Ghirotti in Kleber Mendon\u00e7a Filho\u2019s acclaimed masterpiece <em data-start=\"1242\" data-end=\"1260\">The Secret Agent<\/em>.<\/p>\n<p data-start=\"1265\" data-end=\"1713\">Of him, Bernard Payen, head of programming at the Cin\u00e9math\u00e8que Fran\u00e7aise, said: \u201cGreg\u00f3rio Graziosi is one of the most talented contemporary Brazilian filmmakers. Passionate about architecture and the films of Lynch and Antonioni, Greg\u00f3rio has created timeless visual miniatures, in both black and white and color, presented at numerous festivals, as well as two remarkable feature films exploring the notion of fear in our Western civilizations.\u201d<\/p>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Director, scriptwriter<\/strong><\/p>\n<ul>\n<li>2005: <strong>Masturba\u00e7\u00e3o<\/strong><\/li>\n<li>2007: <strong>Saba<\/strong><\/li>\n<li>2008: <strong>Phiro<\/strong><\/li>\n<li>2008: <strong>Saltos (Jumps)<\/strong>, Lab Competition &#8211; Le Court (Clermont-Ferrand) 2009<\/li>\n<li>2009: <strong>Mira<\/strong>, Lab Competition &#8211; Le Court (Clermont-Ferrand) 2010<\/li>\n<li>2012: <strong>Monumento<\/strong><\/li>\n<\/ul>\n<p><strong>Actor <\/strong><\/p>\n<ul>\n<li>2009: <strong>Eva Nil, Cem Anos Sem Filmes<\/strong> by Jo\u00e3o Marcos de Almeida<\/li>\n<li>2016: <strong>Mata Atl\u00e2ntica<\/strong> by Nicolas Klotz &amp; Elisabeth Perceval<\/li>\n<\/ul>\n<p><strong>VIDEO CLIP<\/strong><\/p>\n<p><strong>Director<\/strong><\/p>\n<ul>\n<li>2016: <strong>Tindersticks &#8211; \u00ab\u00a0How He Entered\u00a0\u00bb<\/strong>, <em>Decibels! <\/em>Selection &#8211; Le Court (Clermont-Ferrand) 2016<\/li>\n<\/ul>\n<p><strong>FEATURE FILMS<\/strong><\/p>\n<p><strong>Director, scriptwriter<\/strong><\/p>\n<ul>\n<li>2014: <strong>Obra<\/strong><\/li>\n<li>2022: <strong>Tinnitus<\/strong><\/li>\n<\/ul>\n<p><strong>Co-scriptwriter<\/strong><\/p>\n<ul>\n<li>2012: <strong>Boa Sorte, Meu Amor<\/strong> by Daniel Arag\u00e3o (co-script. Daniel Arag\u00e3o, Luiz Otavio Pereira)<\/li>\n<\/ul>\n<p><strong>Actor<\/strong><\/p>\n<ul>\n<li>2011: <strong>Hard Labor<\/strong> by Marco Dutra &amp; Juliana Rojas<\/li>\n<li>2025: <strong>The Secret Agent<\/strong> by Kleber Mendon\u00e7a Filho<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_column_text css=&#8221;.vc_custom_1767901418443{margin-bottom: 0px !important;}&#8221; el_class=&#8221;rs_instagram&#8221;]<a href=\"https:\/\/www.instagram.com\/graziosigregorio\" target=\"_blank\" rel=\"noopener\">insta<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;231180&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767901434749{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767901498725{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5><strong>Amanda Nell Eu<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767977966672{margin-bottom: 5px !important;}&#8221;]Malaysia[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737221495709{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767978058980{margin-bottom: 5px !important;}&#8221;]Filmmaker, scriptwriter, producer[\/vc_column_text]<div id=\"modal-trg-txt-wrap-3629\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-3629 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8cce88-92606596\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8cce88-92606596\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8cce88-92606596 \" data-class=\"content-69eb768f8cce88-92606596\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-4871\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-4871 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Amanda Nell Eu \/ Malaysia<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-4871 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Filmmaker, scriptwriter, producer<\/h3>\n<p data-start=\"72\" data-end=\"427\">Amanda Nell Eu is a Malaysian screenwriter and director, born in 1985 in Kuala Lumpur. After growing up in England during the 1990s, she returned to her Malaysian roots, drawing inspiration from local folklore for her cinematic creations. Before graduating from the London Film School, she briefly attended Central Saint Martins to study graphic design.<\/p>\n<p data-start=\"429\" data-end=\"906\">Amanda is known for her short films <em data-start=\"465\" data-end=\"499\">Lagi Senang Jaga Sekandang Lembu<\/em>, which was screened at the Venice and Clermont-Ferrand festivals\u2014where it received a special mention\u2014and <em data-start=\"605\" data-end=\"620\">Vinegar Baths<\/em>. Her work is distinguished by its explorations of the body, female identity, and the tensions between ancient traditions and modernity in the context of Southeast Asia. She has been particularly influenced by 2000s gore horror films and the special effects of 1950s and 1960s cinema.<\/p>\n<p data-start=\"908\" data-end=\"1325\">Her first feature film, <em data-start=\"932\" data-end=\"947\">Tiger Stripes<\/em>, highlights recurring themes of beauty, strangeness, teenage rage, and encounters with the unknown. With this film, she won the Grand Prize at the Critics\u2019 Week in Cannes in 2023. Amanda draws on figures from Malaysian folklore, notably the Penanggalan and the Pontianak, to craft stories that deeply resonate with contemporary challenges while celebrating cultural heritage.<\/p>\n<p data-start=\"1327\" data-end=\"1638\">In addition to directing, she explores the role of producer, with the short film <em data-start=\"1408\" data-end=\"1419\">Peaceland<\/em> released in 2024. Passionate about youth and the transition to adulthood, Amanda Nell Eu continues to push the boundaries of Asian cinema with short and feature films that provoke, challenge, and captivate audiences.<\/p>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Director, scriptwriter<\/strong><\/p>\n<ul>\n<li>2012: <strong>Pasak<\/strong><\/li>\n<li>2015: <strong>Seesaw<\/strong><\/li>\n<li>2017: <strong>Lagi Senang Jaga Sekandang Lembu (Indomptables)<\/strong>, Lab Jury Special Mention &#8211; Le Court (Clermont-Ferrand) 2018 \/ Southeast Asia Focus Selection &#8211; Le Court (Clermont-Ferrand) 2026<\/li>\n<li>2018: <strong>Vinegar Baths<\/strong>, <em>Bloody Night<\/em> Selection- Le Court (Clermont-Ferrand) 2026<\/li>\n<\/ul>\n<p><strong>Producer<\/strong><\/p>\n<ul>\n<li>2024: <strong>Peaceland <\/strong>by Ekin Kee Charles<\/li>\n<\/ul>\n<p><strong>FEATURE FILM<\/strong><\/p>\n<p><strong>Director, scriptwriter<\/strong><\/p>\n<ul>\n<li>2023: <strong>Tiger Stripes<\/strong>, Grand prix &#8211; Critic&#8217;s Week (Cannes) 2023<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_column_text css=&#8221;.vc_custom_1767901853931{margin-bottom: 0px !important;}&#8221; el_class=&#8221;rs_instagram&#8221;]<a href=\"https:\/\/www.instagram.com\/charlienguyenkim\" target=\"_blank\" rel=\"noopener\">insta<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][\/vc_tta_accordion]<div class=\"ult-spacer spacer-69eb768f8cd67\" data-id=\"69eb768f8cd67\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>Student Juries<\/h3>\n<p>[\/vc_column_text][vc_tta_accordion title_tag=&#8221;h4&#8243; active_section=&#8221;1000&#8243; collapsible_all=&#8221;true&#8221; el_class=&#8221;accordeon&#8221;][vc_tta_section title=&#8221;International Student Jury&#8221; tab_id=&#8221;en-etudiant-inter-26&#8243;][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463910169{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;40509&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737298424912{margin-bottom: 10px !important;padding-top: 10px !important;padding-right: 20px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=&#8221;yes&#8221; gap=&#8221;15&#8243; css=&#8221;.vc_custom_1767902827257{margin-right: 90px !important;padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;231209&#8243; css=&#8221;.vc_custom_1767903520609{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903280152{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Marina Divies<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;231211&#8243; css=&#8221;.vc_custom_1767903536473{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903310496{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>Valentin Jozellet<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;231215&#8243; css=&#8221;.vc_custom_1767903563415{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903355600{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Agathe Leduc<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;231219&#8243; css=&#8221;.vc_custom_1767903579334{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903394441{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>Lukas Naud\u017eius<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;231221&#8243; css=&#8221;.vc_custom_1767903589778{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903434688{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>Adeline Reze<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;National Student Jury&#8221; tab_id=&#8221;en-etudiant-nat-26&#8243;][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463934870{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;40503&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737298437473{margin-bottom: 10px !important;padding-top: 20px !important;padding-right: 20px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=&#8221;yes&#8221; gap=&#8221;15&#8243; css=&#8221;.vc_custom_1767902827257{margin-right: 90px !important;padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;231188&#8243; css=&#8221;.vc_custom_1767902577078{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903181687{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Killian Aubijoux<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;231190&#8243; css=&#8221;.vc_custom_1767902604150{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903206784{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>Manon Chatain-Rodari<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;231192&#8243; css=&#8221;.vc_custom_1767902631561{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903197471{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Perrine Guichard<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;231196&#8243; css=&#8221;.vc_custom_1767902669590{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903190495{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>Mat\u00e9o Lagrange Dit Quintiollet<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;231198&#8243; css=&#8221;.vc_custom_1767902690416{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767902468985{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>Thomas Louis<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;Lab Student Jury&#8221; tab_id=&#8221;en-etudiant-labo-26&#8243;][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463868601{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;61034&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737298859321{margin-bottom: 10px !important;padding-right: 20px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=&#8221;yes&#8221; gap=&#8221;35&#8243; css=&#8221;.vc_custom_1767904336752{margin-right: 90px !important;padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231229&#8243; css=&#8221;.vc_custom_1767903971559{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903762290{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>In\u00e8s Besombes-Vailhe<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231231&#8243; css=&#8221;.vc_custom_1767903992612{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903772860{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>Rapha\u00ebl Faure<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231233&#8243; css=&#8221;.vc_custom_1767904003626{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903808036{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Chlo\u00e9 Frit\u00e8re<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231235&#8243; css=&#8221;.vc_custom_1767904013864{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767903876900{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Wiam Zehar<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][\/vc_tta_accordion][vc_row_inner equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221; el_class=&#8221;bloc clair&#8221;][vc_column_inner el_class=&#8221;jury-public&#8221; css=&#8221;.vc_custom_1767910582177{padding-left: 30px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767977722368{margin-bottom: 0px !important;padding-bottom: 20px !important;padding-left: 10px !important;}&#8221;]<\/p>\n<h3>Audience jury<\/h3>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767977769714{margin-right: 90px !important;margin-bottom: 0px !important;padding-top: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Festival-goers can have their say in conferring an Audience Award for the National, International and Lab Competitions respectively. The Audience Jury consists of viewers who have bought a booklet of fifteen tickets. The email address used for purchasing the tickets gives the viewer one chance only to vote online for:<\/p>\n<ul>\n<li>\n<p class=\"p1\">one of the 51 short films selected for the National Competition<\/p>\n<\/li>\n<li>\n<p class=\"p1\">one of the 64 short films selected for the International Competition (the two French films have also been included here)<\/p>\n<\/li>\n<li>\n<p class=\"p1\">one of the 24 short films selected for the Lab Competition<\/p>\n<\/li>\n<\/ul>\n<p class=\"p1\">This is the exclusive link for voting:<\/p>\n<p>[\/vc_column_text][vc_btn title=&#8221;vote.clermont-filmfest.org&#8221; shape=&#8221;square&#8221; css=&#8221;.vc_custom_1737298961309{margin-bottom: 0px !important;}&#8221; link=&#8221;url:https%3A%2F%2Fbilletterie.clermont-filmfest.org%2Fvote%2F|target:_blank&#8221; el_class=&#8221;bouton coul-3 petit&#8221;][vc_column_text css=&#8221;.vc_custom_1767977783494{margin-right: 90px !important;padding-top: 20px !important;}&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element vc_custom_1737463766088\">\n<div class=\"wpb_wrapper\">\n<p class=\"p1\"><strong>Voting ends: Friday 6 February 2026 at noon.<\/strong><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<div class=\"ult-spacer spacer-69eb768f8cdcf\" data-id=\"69eb768f8cdcf\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text css=&#8221;&#8221;]<\/p>\n<h2>Partner Juries<\/h2>\n<p>[\/vc_column_text][vc_tta_accordion title_tag=&#8221;h4&#8243; active_section=&#8221;1000&#8243; collapsible_all=&#8221;true&#8221; el_class=&#8221;accordeon&#8221;][vc_tta_section title=&#8221;CANAL + \/ CIN\u00c9+ OCS Jury&#8221; tab_id=&#8221;en-jury-canal-26&#8243;][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463934870{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;40554&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737298985877{margin-bottom: 10px !important;padding-top: 20px !important;padding-right: 20px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=&#8221;yes&#8221; gap=&#8221;35&#8243; css=&#8221;.vc_custom_1767904314744{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;61038&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737473280332{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1737470051848{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5><strong>Brigitte Pardo<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767978520355{margin-bottom: 20px !important;}&#8221;]CANAL+ Short Programmes Acquisition\u00a0Director[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;61040&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737473275859{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1737283594844{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Caroline Jules<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767978536064{margin-bottom: 20px !important;}&#8221;]<\/p>\n<div class=\"wpb_column vc_column_container vc_col-sm-3\">\n<div class=\"vc_column-inner vc_custom_1735494940575\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element vc_custom_1737463842031\">\n<div class=\"wpb_wrapper\">\n<p class=\"p1\">CANAL+ Short Programmes Acquisition Officer<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231245&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767904211133{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1737283633757{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Laure Llose<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767978553365{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">CANAL+ Grand \u00c9cran, CANAL+ Festival andCIN\u00c9+ Family Director<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;61048&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737473072516{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1737283644828{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>S\u00e9bastien Normand<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767978570592{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">CIN\u00c9+ OCS Commissioning Editor and Short FilmAcquisitions<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;Jury for the CANAL+ Kids Award&#8221; tab_id=&#8221;en-jury-canal-kids-26&#8243;][vc_row_inner content_placement=&#8221;middle&#8221; gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737470030808{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;40559&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737298102313{margin-bottom: 10px !important;padding-top: 20px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"vc_row wpb_row vc_inner vc_row-fluid vc_custom_1737291027939 vc_row-o-equal-height vc_row-o-content-top vc_row-flex\">\n<div class=\"wpb_column vc_column_container vc_col-sm-10\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element\">\n<div class=\"wpb_wrapper\">\n<p class=\"p1\">The jury is made up of 9-year-old pupils from Charles-Perrault elementary school in Clermont-Ferrand. The jury is joined by Nathalie Leffray, Director of Animation development for the CANAL+ group.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;Procirep Jury for the Best Producer Award&#8221; tab_id=&#8221;en-procirep-26&#8243;][vc_row_inner content_placement=&#8221;middle&#8221; gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737470022829{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;61086&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737298113365{margin-bottom: 10px !important;padding-top: 20px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"vc_row wpb_row vc_inner vc_row-fluid vc_custom_1737291014901 vc_row-o-equal-height vc_row-o-content-top vc_row-flex\">\n<div class=\"wpb_column vc_column_container vc_col-sm-10\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element\">\n<div class=\"wpb_wrapper\">\n<p class=\"p1\">Made up of producers who have received support from Procirep.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;Queer Jury&#8221; tab_id=&#8221;en-jury-queer-26&#8243;][vc_row_inner content_placement=&#8221;middle&#8221; gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737469957621{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;40546&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737298359497{margin-bottom: 10px !important;padding-top: 20px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][vc_column_text css=&#8221;.vc_custom_1767979750321{margin-bottom: 10px !important;}&#8221;]<\/p>\n<div class=\"vc_row wpb_row vc_inner vc_row-fluid vc_custom_1737291008615 vc_row-o-equal-height vc_row-o-content-top vc_row-flex\">\n<div class=\"wpb_column vc_column_container vc_col-sm-9\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element vc_custom_1737464055691\">\n<div class=\"wpb_wrapper\">\n<p class=\"p1\">Awarded by a jury of three to a film from one of the National, International and Lab competitions that, beyond its LGBTQIA+ topics, depicts a world fighting the norms whose trust in film is also a badge of its freedom.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463945222{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231252&#8243; css=&#8221;.vc_custom_1767908704405{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767908427787{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5><strong>Marie Docher<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979776449{margin-bottom: 20px !important;}&#8221;]Photographer, author, filmmaker[\/vc_column_text]<div id=\"modal-trg-txt-wrap-3050\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-3050 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8ce233-26604029\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8ce233-26604029\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8ce233-26604029 \" data-class=\"content-69eb768f8ce233-26604029\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-3703\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-3703 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Marie Docher \/ France<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-3703 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Photographer, author, filmmaker<\/h3>\n<p class=\"p1\">Marie Docher is a photographer, author, and filmmaker. In 2022, she was awarded the major photographic commission <em data-start=\"169\" data-end=\"195\">Radioscopie de la France<\/em>. She created the series <em data-start=\"220\" data-end=\"238\">Et l\u2019amour aussi<\/em>, published in 2023 by La D\u00e9ferlante \u00c9ditions, featuring 40 portraits and interviews with lesbians, ten years after the passage of France\u2019s \u201cmarriage for all\u201d law. In 2025, she published <em data-start=\"425\" data-end=\"466\">Pourquoi les lesbiennes sont invisibles<\/em> with \u00c9ditions du Seuil (Libelle collection).<\/p>\n<h4>PUBLICATIONS<\/h4>\n<ul>\n<li>\n<p class=\"p1\">2015: <strong>Alors je suis devenue une Indien d\u2019Am\u00e9rique\u2026<\/strong> (IXe ed.)<\/p>\n<\/li>\n<li>\n<p class=\"p1\">2023: <strong>Et l\u2019amour aussi<\/strong> (La D\u00e9ferlante ed.)<\/p>\n<\/li>\n<li>\n<p class=\"p1\">2025: <strong>Pourquoi les lesbiennes sont invisibles ? <\/strong>(Seuil ed., Libelle coll.)<\/p>\n<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_column_text css=&#8221;.vc_custom_1767909361252{margin-bottom: 0px !important;}&#8221; el_class=&#8221;lien_web&#8221;]<a href=\"https:\/\/docher.com\/\" target=\"_blank\" rel=\"noopener\">web<\/a>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767909370445{margin-bottom: 0px !important;}&#8221; el_class=&#8221;rs_instagram&#8221;]<a href=\"https:\/\/www.instagram.com\/mariedocher\" target=\"_blank\" rel=\"noopener\">insta<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231254&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767908716340{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767908463238{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5><strong>St\u00e9phane G\u00e9rard<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767980067553{margin-bottom: 20px !important;}&#8221;]Filmmaker[\/vc_column_text]<div id=\"modal-trg-txt-wrap-5145\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-5145 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8ce842-86120173\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8ce842-86120173\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8ce842-86120173 \" data-class=\"content-69eb768f8ce842-86120173\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-9136\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-9136 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">St\u00e9phane G\u00e9rard \/ France<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-9136 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Filmmaker<\/h3>\n<p>St\u00e9phane G\u00e9rard\u2019s experimental cinema focuses on political struggles and the history of representations of gender, sexual orientation, HIV\/AIDS, and Afro-descendant communities. His collaboration with filmmaker Lionel Soukaz has resulted in two co-directed works for exhibitions (<em data-start=\"335\" data-end=\"347\">En Corps +<\/em>, 2021, Mucem; <em data-start=\"362\" data-end=\"389\">Artistes en Zone Troubl\u00e9e<\/em>, 2023, Palais de Tokyo), contributing to a broader reflection on the preservation of audiovisual archives (for example, at the Biblioth\u00e8que nationale de France). His practice also encompasses programming and distribution within <em data-start=\"618\" data-end=\"639\">What\u2019s Your Flavor?<\/em>, a collective dedicated to the dissemination of queer experimental cinema in France.<\/p>\n<h4>SHORT FILMS<\/h4>\n<ul>\n<li>2009: <strong>Carottage<\/strong> (co-dir. Powers, Lionel Soukaz)<\/li>\n<li>2011: <strong>Out Loud<\/strong><\/li>\n<li>2011: <strong>The Mechanics of Amusement<\/strong><\/li>\n<li>2012: <strong>Rainbow Lovers Remix<\/strong><\/li>\n<li>2015: <strong>La Machine aval\u00e9e<\/strong><\/li>\n<li>2015: <strong>Anything Goes<\/strong><\/li>\n<li>2017: <strong>Entre gar\u00e7on<\/strong>s, 2017, 11 x 5\u2019<\/li>\n<li>2023: <strong>Artistes en zone troubl\u00e9s<\/strong> (co-dir. Lionel Soukaz)<\/li>\n<li>2024: <strong>\u00ab Le R\u00e9veil du regard \u00bb : Agn\u00e8s Varda et le f\u00e9minisme<\/strong> (co-dir. Florence Tissot)<\/li>\n<li>2024: <strong>J\u2019irai danser quand m\u00eame<\/strong><\/li>\n<\/ul>\n<h4>FEATURE FILMS<\/h4>\n<ul>\n<li>2014: <strong>Rien n\u2019oblige \u00e0 r\u00e9p\u00e9ter l\u2019histoire<\/strong><\/li>\n<li>2021: <strong>En Corps +<\/strong> (co-dir. Lionel Soukaz)<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[vc_column_text css=&#8221;.vc_custom_1767909178029{margin-bottom: 0px !important;}&#8221; el_class=&#8221;lien_web&#8221;]<a href=\"http:\/\/gstphn.net\/\" target=\"_blank\" rel=\"noopener\">web<\/a>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1767909198527{margin-bottom: 0px !important;}&#8221; el_class=&#8221;rs_instagram&#8221;]<a href=\"https:\/\/www.instagram.com\/stephanegerard.cineaste\" target=\"_blank\" rel=\"noopener\">insta<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231256&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767908734522{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767908483357{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Gio Ventura<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767980098252{margin-bottom: 20px !important;}&#8221;]Actor, filmmaker[\/vc_column_text]<div id=\"modal-trg-txt-wrap-8304\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin bouton coul-1   \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-8304 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:#333333;border-color:#333333;color:#FFFFFF; \" data-class-id=\"content-69eb768f8cee20-51557793\" class=\"btn-modal ult-responsive btn-primary btn-modal-sm overlay-show ult-align-center btn-id-69eb768f8cee20-51557793\" data-overlay-class=\"overlay-zoomout\">Bio + info<\/button><\/div>\n<div class=\"ult-overlay content-69eb768f8cee20-51557793 \" data-class=\"content-69eb768f8cee20-51557793\" id=\"button-click-overlay\" style=\"background:rgba(51,51,51,0.8); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-6293\" class=\"ult_modal-content ult-hide\" style=\"border-style:solid;border-width:2px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div class=\"ult_modal-header\" style=\"color:#333333;border-color:#333333;\">\n\t\t\t\t<h3  data-ultimate-target='#ult-modal-wrap-6293 .ult_modal-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-title ult-responsive\">Gio Ventura \/ France<\/h3>\n\t\t\t<\/div>\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-6293 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"\">\n\t\t\t<\/p>\n<h3>Actor, filmmaker<\/h3>\n<p data-start=\"55\" data-end=\"414\">Born in 1997, Gio Ventura is a performer and filmmaker. After training at ENSAD (\u00c9cole nationale sup\u00e9rieure des arts d\u00e9coratifs) in the photo-video program, he is currently developing a short film (<em data-start=\"253\" data-end=\"260\">Bomec<\/em>) that reimagines the tale of Snow White, in which the heroine faces seven drifting Chippendales whom she sets out to firmly put back on the right path.<\/p>\n<h4>SHORT FILMS<\/h4>\n<p><strong>Actor<\/strong><\/p>\n<ul>\n<li>2015: <strong>Bonne esp\u00e9rance<\/strong> by Kaspar Schiltknecht<\/li>\n<li>2015: <strong>Victoria<\/strong> by Anouk Chambaz<\/li>\n<li>2019: <strong>Catfish<\/strong> by Zo\u00e9 Cappagli<\/li>\n<li>2020: <strong>Notre doctrine<\/strong> by Damien Salama, National Competition &#8211; Le Court (Clermont-Ferrand) 2021<\/li>\n<li>2020: <strong>Le B\u00e9ton des anges<\/strong> by Vera Hector<\/li>\n<li>2021: <strong>Les Flammes<\/strong> by Sarah Dehili<\/li>\n<li>2021: <strong>Fou de Bassan<\/strong> by Yann Gonzalez<\/li>\n<li>\n<p class=\"p1\">2021: <strong>Maud Geffray &#8211; \u201cBreak\u201d<\/strong> (clip musical) by Roxanne Gaucherand<\/p>\n<\/li>\n<li>\n<p class=\"p1\">2025: <strong>\u201cTYL\u201d<\/strong> (clip musical) by E. Hu\u0308tt<\/p>\n<\/li>\n<\/ul>\n<p><strong>Director<\/strong><\/p>\n<ul>\n<li>2023: <strong>Les Sports X-trem<\/strong><\/li>\n<li>\n<p class=\"p1\">2025: <strong>Les Nuits Tungsten<\/strong><\/p>\n<\/li>\n<\/ul>\n<h4>FEATURE FILMS<\/h4>\n<p><strong>Actor<\/strong><\/p>\n<ul>\n<li>2017: <strong>Sarah joue un loup garou<\/strong> by Katharina Wyss<\/li>\n<li>2024: <strong>Les Reines du drame<\/strong> by Alexis Langlois<\/li>\n<\/ul>\n<p>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\"width:80px;height:80px; \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;Adobe Jury for Special Effects Award&#8221; tab_id=&#8221;en-jury-adobe-26&#8243;][vc_row_inner content_placement=&#8221;middle&#8221; gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737469931424{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;40548&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737298260201{padding-top: 20px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"vc_row wpb_row vc_inner vc_row-fluid vc_row-o-equal-height vc_row-o-content-top vc_row-flex\">\n<div class=\"wpb_column vc_column_container vc_col-sm-10\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element\">\n<div class=\"wpb_wrapper\">\n<p class=\"p1\">Jury made up of international experts on special effects.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;Festivals Connexion Jury&#8221; tab_id=&#8221;en-jury-festivals-connexion-26&#8243;][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463868601{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;40529&#8243; img_size=&#8221;large&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][vc_column_text css=&#8221;.vc_custom_1767979685864{margin-bottom: 10px !important;}&#8221;]<\/p>\n<div class=\"vc_row wpb_row vc_inner vc_row-fluid vc_custom_1737291001962 vc_row-o-equal-height vc_row-o-content-top vc_row-flex\">\n<div class=\"wpb_column vc_column_container vc_col-sm-10\">\n<div class=\"vc_column-inner vc_custom_1737299093711\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element vc_custom_1737464252177\">\n<div class=\"wpb_wrapper\">\n<p class=\"p1\">Made up of three professionals in the festival and film industries in the Auvergne-Rh\u00f4ne-Alpes region, this jury highlights the diversity and dynamism of the fifty certified members of the Festivals Connexion network.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463945222{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231258&#8243; css=&#8221;.vc_custom_1767909568448{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767909494605{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5><strong>Jean-S\u00e9bastien Esnault<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979609899{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Executive Officer of Le Grand Bivouac &#8211; Documentary Film and Litterature Festival (Albertville, France)<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231260&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767909600313{margin-bottom: 0px !important;}&#8221;][vc_column_text css_animation=&#8221;none&#8221; css=&#8221;.vc_custom_1767909504172{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Fabienne Hanclot<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979622302{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Managing and Artistic Director of Ard\u00e8che Images (Lussas, France)<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231262&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767909611367{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767909542063{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Cyrielle Tissandier<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979634235{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Production Manager at AADN (Hybrid Arts and Digital Cultures) (Lyon, France)<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;Jury for the Best XR Film by Evaveo&#8221; tab_id=&#8221;en-jury-evaveo-26&#8243;][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463868601{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;40531&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737299123311{margin-bottom: 10px !important;padding-top: 20px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][vc_column_text css=&#8221;.vc_custom_1767979529700{margin-bottom: 10px !important;}&#8221;]Made up of the three members of the Festivals Connexion Jury\u00a0<span class=\"s1\">(see above)\u00a0<\/span>and a member of Evaveo, partner of the Festival\u2019s Extended Reality Competition and Panorama.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463945222{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231258&#8243; css=&#8221;.vc_custom_1767909568448{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767909494605{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5><strong>Jean-S\u00e9bastien Esnault<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979609899{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Executive Officer of Le Grand Bivouac &#8211; Documentary Film and Litterature Festival (Albertville, France)<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231260&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767909600313{margin-bottom: 0px !important;}&#8221;][vc_column_text css_animation=&#8221;none&#8221; css=&#8221;.vc_custom_1767909504172{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Fabienne Hanclot<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979622302{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Managing and Artistic Director of Ard\u00e8che Images (Lussas, France)<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231262&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767909611367{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767909542063{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Cyrielle Tissandier<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979634235{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Production Manager at AADN (Hybrid Arts and Digital Cultures) (Lyon, France)<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;61081&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737473479053{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1737286892556{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Lo\u00efc Lextrait<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979652001{margin-bottom: 20px !important;}&#8221;]Evaveo CEO[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;SACD Jury for Best french-speaking Animation Award&#8221; tab_id=&#8221;en-jury-sacd-animation-26&#8243;][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463868601{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;40519&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737298341857{margin-bottom: 10px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463945222{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;61094&#8243; css=&#8221;.vc_custom_1737473488803{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1737291714320{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>H\u00e9lo\u00efse Capoccia<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979586792{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Filmmaker and scriptwriter, Animation Department Manager<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231264&#8243; css=&#8221;.vc_custom_1767909985076{margin-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767909994257{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>Virginie Jallot<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979568163{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Filmmaker, Animation Department Manager<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;SACD Jury for Best First or Second Live Action Short Award&#8221; tab_id=&#8221;en-jury-sacd-fiction-26&#8243;][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463868601{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;40519&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1737298341857{margin-bottom: 10px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner gap=&#8221;30&#8243; css=&#8221;.vc_custom_1737463945222{padding-right: 30px !important;padding-left: 30px !important;background-color: #FFFFFF00 !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;61104&#8243; css=&#8221;.vc_custom_1737473508288{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1737291745565{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>Anne Villac\u00e8que<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979364764{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Filmmaker and scriptwriter, Cinema Department Vice-president<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;61106&#8243; css=&#8221;.vc_custom_1737473820599{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1737291767082{margin-bottom: 10px !important;padding-top: 0px !important;}&#8221;]<\/p>\n<h5><strong>Catherine Corsini<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767979377470{margin-bottom: 20px !important;}&#8221;]<\/p>\n<div class=\"vc_row wpb_row vc_inner vc_row-fluid vc_custom_1737287708628\">\n<div class=\"wpb_column vc_column_container vc_col-sm-1\/5\">\n<div class=\"vc_column-inner vc_custom_1737287720396\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element vc_custom_1737464506394\">\n<div class=\"wpb_wrapper\">\n<p class=\"p1\">Filmmaker and screenwriter, Cinema Department Manager<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231266&#8243; 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css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767978894625{margin-bottom: 20px !important;}&#8221;]Responsible for the Images de la culture catalogue for La Cin\u00e9math\u00e8que du documentaire[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;231268&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1767910354775{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767910363994{margin-bottom: 10px !important;}&#8221;]<\/p>\n<h5 class=\"p1\"><strong>Chlo\u00e9 Vurpillot<\/strong><\/h5>\n<p>[\/vc_column_text][vc_separator border_width=&#8221;2&#8243; css=&#8221;.vc_custom_1737287944985{margin-bottom: 0px !important;padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1767978909730{margin-bottom: 20px !important;}&#8221;]<\/p>\n<p class=\"p1\">Ard\u00e8che Images Distribution Officer<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=&#8221;Jury for \u201cFernand-Raynaud\u201d Award for Best Comedy&#8221; 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