{"id":138596,"date":"2025-12-15T11:32:39","date_gmt":"2025-12-15T10:32:39","guid":{"rendered":"https:\/\/www.lecourt-clermont.org\/?page_id=138596"},"modified":"2026-01-20T19:00:10","modified_gmt":"2026-01-20T18:00:10","slug":"celluloid-mystery","status":"publish","type":"page","link":"https:\/\/www.lecourt-clermont.org\/en\/programs\/special-screenings\/celluloid-mystery\/","title":{"rendered":"Celluloid Mystery"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a09acdd3aca3\" data-id=\"6a09acdd3aca3\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;]<\/p>\n<p data-start=\"0\" data-end=\"69\"><strong>What if we let ourselves be guided by the light of a projector alone?<\/strong><\/p>\n<p data-start=\"71\" data-end=\"294\"><strong>For this exceptional screening, the passionate (and captivating) filmmaker Antonin Peretjatko opens the doors to his personal collection to share, in 16mm, the films that inhabit him, inspire him, or simply move him deeply.<\/strong><\/p>\n<p data-start=\"296\" data-end=\"843\" data-is-last-node=\"\" data-is-only-node=\"\"><strong>Nothing is announced in advance: no titles, no programme &#8211; only the promise of a celluloid journey in which each newly revealed reel becomes an event in itself. Between forgotten rarities, bursts of experimentation, poetic curiosities, and flashes of humour, the screening unfolds along the length of the film strip, like an intimate conversation between the artist and the audience. An invitation to reconnect with pure surprise &#8211; the kind that makes cinephiles\u2019 hearts race when the lights go down and the film, at last, is invented before our eyes.<\/strong><\/p>\n<p>[\/vc_column_text][vc_single_image image=&#8221;238533&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1768932003812{margin-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;&#8221; el_class=&#8221;petit&#8221;]\u00a9 Lucie Borleteau[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a09acdd3ad8f\" data-id=\"6a09acdd3ad8f\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text css=&#8221;.vc_custom_1765795015715{margin-bottom: 10px !important;}&#8221;]<\/p>\n<div class=\"flex flex-col text-sm @w-xl\/main:pt-header-height pb-25\">\n<article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-692ea053-1fac-832d-9ac4-3764fcb87b42-1\" data-testid=\"conversation-turn-30\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"bb63b3f4-2fed-4914-a7d0-dd8ba8ed46e8\" data-message-model-slug=\"gpt-5-2\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">\n<div class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\">\n<h3 data-start=\"0\" data-end=\"42\"><strong data-start=\"0\" data-end=\"42\" data-is-last-node=\"\" data-is-only-node=\"\">Celluloid Mystery &amp; Surprise Film Reel<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<p class=\"p1\">\u201cFilming on celluloid is always a surprise. 16mm has this magical ability to film almost anything: even when it\u2019s ugly, it\u2019s beautiful. Developing the images is always a kind of birth.<\/p>\n<p data-start=\"186\" data-end=\"368\">The magic of celluloid lies in being able to look at the image by holding it up to the sky, like a crystal. The image of a projected film is not reconstructed; it is simply enlarged.<\/p>\n<p data-start=\"370\" data-end=\"576\">For the screening we chose to call <em data-start=\"405\" data-end=\"424\">Celluloid Mystery<\/em>, I selected a few rarities &#8211; prints with forgotten colours, period documents, improbable images that allow us to glimpse the treasures preserved by 16mm.<\/p>\n<p data-start=\"578\" data-end=\"871\">The films have survived multiple screenings and conservation issues; each print has its own story: one stripped of its opening credits for reasons of censorship, another found in a rubbish bin\u2026 The epigraph of Jean-Luc Godard\u2019s <em data-start=\"806\" data-end=\"815\">Weekend<\/em> has never been truer: \u201ca film found in the scrap heap.\u201d<\/p>\n<p data-start=\"873\" data-end=\"1160\">I have always loved short films (less than 120 metres &#8211; a small film, about 11 minutes), and 16mm allows us to dive back into rare and forgotten pre-feature films, or early works by beginners who later became masters. Discovering unsuspected images creates a true addiction to this format.<\/p>\n<p data-start=\"1162\" data-end=\"1288\">With all these treasures that are little or not at all visible online or on DVD\u2026 16mm has not yet revealed all its mysteries.\u201d<\/p>\n<p class=\"p1\" style=\"text-align: right;\">Antonin PERETJATKO<\/p>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner][vc_separator border_width=&#8221;3&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>Info<\/h3>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1765794688159{margin-bottom: 10px !important;}&#8221; el_class=&#8221;horaires&#8221;]<strong>Friday 6 February at 20:00 (single screening)<\/strong>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1765794751395{margin-bottom: 10px !important;}&#8221; el_class=&#8221;info&#8221;]<strong>The screening and the talk will be in French.<\/strong>[\/vc_column_text][vc_column_text css=&#8221;&#8221; el_class=&#8221;adresse&#8221;]<strong>La Jet\u00e9e &#8211; screening room<\/strong><br \/>\n6 place Michel-de-L&#8217;Hospital<br \/>\n63000 Clermont-Ferrand[\/vc_column_text][vc_btn title=&#8221;See on a map&#8221; shape=&#8221;square&#8221; align=&#8221;left&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fmaps.app.goo.gl%2FGjT4A7GEpwB5mmLY9|target:_blank&#8221; el_class=&#8221;bouton coul-1 petit&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-6a09acdd3adfb\" data-id=\"6a09acdd3adfb\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;] What if we let ourselves be guided by the light of a projector alone? For this exceptional screening, the passionate (and captivating) filmmaker Antonin Peretjatko opens the doors to his personal collection to share, in 16mm, the films that inhabit him, inspire him, or simply move him deeply. Nothing is announced in [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":14636,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-138596","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Celluloid Mystery - Festival international du court-m\u00e9trage<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lecourt-clermont.org\/en\/programs\/special-screenings\/celluloid-mystery\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Celluloid Mystery - Festival international du court-m\u00e9trage\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;] What if we let ourselves be guided by the light of a projector alone? 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